“Panopticons is an arts and regeneration project of the East Lancashire Environmental Arts Network managed by Mid Pennine Arts. It involved the construction of series of 21st-century landmarks, or Panopticons (structures providing a comprehensive view), across East Lancashire, England, as symbols of the renaissance of the area”. – Wikipedia

Photo: “Singing Ringing Tree. The Singing Ringing Tree is a musical sculpture overlooking Burnley. It was designed by architects Mike Tonkin and Anna Liu of Tonkin Liu and constructed from pipes of galvanised steel”. (Photos by WandereringSoul/Mark Tighe)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

Women wearing prosthetic legs participate in a public photo session at the Hasselblad and Profoto booth, during the CP+ camera and imaging equipment trade fair in Yokohama south of Tokyo, February 14, 2015. Japanese prosthetist Fumio Usui inspired the event after collaborating with photographer Takao Ochi in the book project “Amputee Venus” that portrays 11 Japanese women with artificial legs, local media reported. (Photo by Thomas Peter/Reuters)

The barren landscapes of the south-western US provided inspiration for photographer David Clapp. He visited Nevada, New Mexico, Utah and Arizona as part of his project on other-worldy locations, with surreal results. Here: An infrared image at dusk of strange clay rock formations in Ah-Shi-Sle-Pah Wilderness in Farmington, New Mexico. (Photo by David Clapp/Barcroft Images)

“Most recently, the bushy beard’s masculinity has been turned off and instead adorned with flower power. A wacky new trend sees hipsters weave foliage into their facial hair. It’s emerging across boho America. Yes, men in Brooklyn, Portland and San Francisco are adorning their faces with blossoms, seemingly for the sole purpose of artistic portraits that have been taking over the social media with the hashtag #flowerbeards. It started gaining popularity on the social platform of Tumblr, when a blogger began “Will It Beard” project, and has since blossomed elsewhere around the Internet”. – Linda Sharkey via The Independent. (Photo by designsquish/Tumblr)

India’s classic Ambassador taxis and juddery auto rickshaws are iconic sights in the cities of the subcontinent. In Mumbai, one project has been using them as canvases for Indian graphic designers, giving them the opportunity to design new interiors for the vehicles. (Photo by Taxi Fabric/The Guardian)

Laura Titch, dressed as Mary of Guise, and Duncan Maclachlan, dressed as Alexander of Stewart, rehearse for Stirling Castle's grand renaissance palace opening on June 3, 2011 in Stirling, Scotland. The palace has been closed for two years, while a Ј12 million pound project was undertaken to return the palace to how it might have looked back in the 1540s, when it was home to Mary of Guise, the widow of James V. Their daughter, Mary Queen of Scots, was raised there before living in France. (Photo by Jeff J Mitchell/Getty Images)

Christopher Wheeldon’s Alice’s Adventures in Wonderland is the biggest production the Australian Ballet has ever undertaken and it’s also one of the most spectacular. Created for the Royal Ballet and designed by Bob Crowley, it involves puppetry, optical illusions, major setpieces and immersive projections, as well as costumes that some dancers have to actually climb into. Here: Ako Kondo as Alice, on stage September 11, 2017 in Melbourne, Australia. (Photo by Jeff Busby/The Guardian)