A man walks pat sculptures with face masks on along an alley in Beijing on August 3, 2021. (Photo by Noel Celis/AFP Photo)

People observe a protest against a new citizenship law from a bus, in New Delhi, India, January 3, 2020. (Photo by Anushree Fadnavis/Reuters)

A man rides a horse while others swim on the beach of Gaza City, Friday, August 3, 2018. (Photo by Khalil Hamra/AP Photo)

A tourist takes photographs of the Louvre Museum in Paris, France on July 3, 2022. (Photo by Benoit Tessier/Reuters)

An Afghan woman carries bread on a tray, along a street in Kabul on January 3, 2023. (Photo by Wakil Kohsar/AFP Photo)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.