A girl competes in a hobby horsing competition in St. Petersburg, Russia, April 21, 2024. (Photo by Dmitri Lovetsky/AP Photo)

Athletes compete in the women's 100m semi-final during the World Athletics Championships at the National Athletics Centre in Budapest on August 21, 2023. (Photo by Andrej Isakovic/AFP Photo)

A plane belonging to U.S. missionary group Agape Flights burns after it was set on fire during protests demanding that the government of Prime Minister Ariel Henry do more to address gang violence including constant kidnappings, in Les Cayes, Haiti on March 29, 2022. (Photo by Duples Plymouth/Reuters)

Samy Rose Moshiri, an Iranian American artist and activist, covers the mouth of Belarusian activist Yadviga Krasovskaya after dousing themselves in fake blood on stage at a Freedom Rally for Iran, in support of Iranian women and against the death of Mahsa (Zhina) Amini, outside City Hall in Los Angeles, California, U.S., October 1, 2022. (Photo by Bing Guan/Reuters)

A woman visits the exhibition “Pop Air” at the Balloon Museum in Madrid, Spain, 22 March 2023. The exhibition, dedicated to balloons and inflatable arts, opened to the public in Madrid on 18 March and runs through 23 July 2023. (Photo by Alejandro Lopez/EPA)

Residents walk past a burnt car blocking the street as they evacuate the Delmas 22 neighborhood the morning after an attack amid gang violence in Port-au-Prince, Haiti, May 2, 2024. (Photo by Ramon Espinosa/AP Photo)

The Enemy, 1944. With the outbreak of world war two, photojournalism was enlisted in defence of Mother Russia. In this photo by Anatoli Egorov, who was wounded in action, corporal Stepan Vasiljevich Ovcharenko shoots at enemy troops with a machine gun. (Photo by Anatoli Egorov/Lumiere Brothers Center for Photography)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.