Rwandan refugees cross the Rusumo border to Tanzania from Rwanda carrying their belongings, goats, mattresses and cows, May 30, 1994. The bloodshed that claimed 800,000 Tutsi and moderate Hutu lives began 25 years ago on April 7, 1994, when a plane carrying Rwandan President Juvenal Habyarimana, Burundi President Cyprien Ntaryamira and a French air crew was shot down. (Photo by Jeremiah Kamau/Reuters)

Aurora Australis from Beerbarrel Beach, by James Stone. Runner Up: Aurorae. (Photo by James Stone/Astronomy Photographer of the Year)

Birds behaviour winner: Land of the Eagle by Audun Rikardsen, Norway. High on a ledge, on the coast near his home in northern Norway, Rikardsen carefully positioned an old tree branch that he hoped would make a perfect golden eagle lookout. To this, he bolted a tripod head with a camera, flashes and motion sensor attached, and built himself a hide a short distance away. From time to time, he left road‑kill carrion nearby. Very gradually – over the next three years – a golden eagle got used to the camera and started to use the branch regularly to survey the coast below. (Photo by Audun Rikardsen/2019 Wildlife Photographer of the Year)

Brad Snead walks past melting ice on the Cook Inlet beach, Saturday, March 26, 2011, in Kenai, Alaska, while looking for agates. (AP Photo/Peninsula Clarion, M. Scott Moon)

People board a train at the West Railway Station on January 7, 2012 in Beijing, China. China's railways are bracing themselves as millions of migrant labourers are set to leave cities for their native villages to celebrate the Chinese New Year. (Photo by Lintao Zhang/Getty Images)

“Eye of a toad”. Animal Portraits, Łukasz Bożycki, Poland. Early spring sees a pond near Łukasz’s home city of Warsaw, Poland, full of mating frogs and a few toads. On this March day, Łukasz shared the pond with them for an evening, sitting in the icy water in his chest-high waders, keeping as still as possible, despite the numbing cold, so that the amphibians could get used to him. “I wanted to find a fresh way of portraying the amphibians”, he says, “at water level”. Using a telephoto lens, he focused on one lone toad and waited for the sun to dip almost below the horizon before pressing the shutter, using flash to bring out the details in the shadow. His prize was “the glorious pool of sunset colour” and fiery glow of the toad’s eye. Nikon D80 + 70-300mm f4.5-5.6 lens + extension tube; 1/125 sec at f9 (-2.3 e/v); ISO 100; built-in flash. (Photo by Łukasz Bożycki)