Susan Njeri (C), mother of late face mask vendor Boniface Mwangi Kariuki, breaks down at Kenyatta University Funeral Home in Nairobi, Kenya, 11 July 2025. Kariuki was shot by police on 17 June during protests over the death of a Kenyan blogger in police custody. He died two weeks later while receiving treatment. (Photo by Daniel Irungu/EPA)

American media personality and socialite Kourtney Kardashian in the second decade of October 2022 promotes her Lemme gummy vitamins. (Photo by kourtneykardash/Instagram)

A dancer poses for her own photographer in front of pink cherry tree blossoms during a sunny spring morning at the Parc de Sceaux gardens near Paris, France, April 12, 2019. (Photo by Christian Hartmann/Reuters)

A prong extending from a remote-controlled robot prototype approaches the mouth of a volunteer to extract a throat swab sample, as part of a self-funded project to assist physicians in running tests on suspected COVID-19 coronavirus patients in a bid to limit human exposure to disease-carriers, at a private hospital in Egypt's Nile delta city of Tanta, on March 20, 2021. (Photo by Khaled Desouki/AFP Photo)

A woman poses for pictures with skulls made of cardboard placed on an altar next to the San Francisco church in Mexico City during the celebration of All Souls Day on November 2, 2015. (Photo by Yuri Cortez/AFP Photo)

In this photo taken with a long exposure, a person walks a dog past Christmas lights in a park, Sunday, December 15, 2024, in Lenexa, Kan. (Photo by USA Today)

The Jinshanling Great Wall is seen after a rainfall on March 31, 2022 in Chengde, Hebei Province of China. (Photo by Zhou Wanping/VCG via Getty Images)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)