A humanoid robot works side by side with employees in the assembly line at a factory of Glory Ltd., a manufacturer of automatic change dispensers, in Kazo, north of Tokyo, Japan, July 1, 2015. Japanese firms are ramping up spending on robotics and automation, responding at last to premier Shinzo Abe's efforts to stimulate the economy and end two decades of stagnation and deflation. (Photo by Issei Kato/Reuters)

Young men play basketball on an improvised court wedged between a construction site and the shells of once grand colonial homes in Havana, July 20, 2015. As much as the young in Cuba welcome political opening and economic reform, such changes are unlikely to filter down to their lives anytime soon. (Photo by Meridith Kohut/The New York Times)

Sanxiantai is an area containing a beach and several islands located on the coast of Taitung County, Taiwan. The beach stretches for ten kilometers in length. It is situated at the 112-kilometer mark. A popular tourist attraction for its rocky coastal views, the area is well known for its long footbridge that connects the coast to the largest island.

Residents of the Huachipa populous district, east of Lima, are helped on March 17, 2017, by police and firemen rescue teams to cross over flash floods hitting their neighbourhood and isolating its residents. The climatic phenomenon El Niño is causing muddy rivers overflows on the entire Peruvian coast, isolating hundreds of people, mostly residents of Lima's industrial belt neighbourhoods. (Photo by Cris Bouroncle/AFP Photo)

For his Behind a Little House Project Italian photographer Manuel Cosentino found an unsuspecting muse: a tiny nondescript house on an unexceptional hill. He returned to photograph the small building from the exact same location for nearly two years in order to capture the dramatic changes in weather and light that utterly changed the scenery just beyond the horizon

Photographer’s Pol Ubeda Hervas perspective in his “I’m not There” series, is going against the flow. While the focus of modern photography is set on the human interaction with his surroundings, Hervas changes thing up by capturing the human absence from said surroundings. The concept behind the series is deeply metaphorical, visual food for though reflecting the situations where the change is irreversible and we cannot even recognize ourselves.

This latest photo series by Anelia Loubser, a photographer in Cape Town, reminds us that even the simplest change in perspective can change how things look drastically. By selectively cropping and flipping the dark portraits in her “Alienation” series, Loubser makes basic human portraits look like creepy alien close-ups.