NASA handout photographs from the various Apollo missions are shown in this combination photograph. The photographs are some of more than 12,000 from NASA's archives recently aggregated on the Project Apollo Archive Flickr account. (Top L) David R. Scott, command module pilot, stands in the open hatch of the Command Module during the Apollo 9 mission March 6, 1969. (Top centre) Edwin "Buzz" Aldrin Jr.walks on the surface of the moon during the Apollo 11 mission July 20, 1969. (Top R) Neil Armstrong, Apollo 11 commander, is pictured inside the Lunar Module during the Apollo 11 mission July 20, 1969. (Bottom L) Alan Bean holds a container filled with lunar soil collected during the Apollo 12 mission November 19, 1969. (Bottom centre) Scientist-astronaut Harrison Schmitt rides in the Lunar Roving Vehicle during the Apollo 17 mission December 13, 1972. (Bottom R) Harrison Schmitt stands next to a huge, split boulder during the Apollo 17 mission December 13, 1972. (Photo by Reuters/NASA)

Daniel J. Wabsey, a 58-year-old war veteran, sits outside his tent at Camp Hope in Las Cruces, New Mexico October 6, 2015. “I've been traveling for 35 or 38 years. Getting inside would take a while to get used to. I just want to be able to eat, sleep and be safe. We all get along and understand in Camp Hope. We've all been there. With common sense you can survive out here”, Wabsey said. Camp Hope describe themselves as an “alternative transitional living project for the homeless”. Around 50 people live at the camp. (Photo by Shannon Stapleton/Reuters)

Ukrainian artist Dariya Marchenko works on a portrait of Russian President Vladimir Putin named “The Face of War” which is made out of 5,000 cartridges brought from the frontline in eastern Ukraine, in Kiev, July 23, 2015. The portrait will be presented along with a novel which will tell personal stories of six people involved in this project including Daria's own story and stories of people who helped her to collect shells from the frontline. Daria Marchenko calls her art approach philosophic symbolism where every element has its hidden meaning. In her works cartridges mean human's life that was brutally ended. (Photo by Gleb Garanich/Reuters)

A worker caresses a donkey at the Retired Animals Farm in Turkey's Bursa on October 01, 2020. Animal Rights Federation in Turkey (HAYTAP) established a “Retired Animals Farm” in Bursa for animals that were tortured, thrown out by their owners, injured and in need of assistance for similar reasons. Built in the neighborhood of Baskoy in Nilufer district after long term efforts, the farm provides a home to animals of many species, such as horse, donkey, cow, sheep, chicken from all around Turkey. The farm project receives support from various institutions and organizations. (Photo by Sergen Sezgin/Anadolu Agency via Getty Images)

Van cats, relatively large, have a chalky white coat, sometimes with ruddy coloration on the head and hindquarters, and have blue or amber eyes or have heterochromia, are seen at “Cat Villa”, established to protect the cats in Van, Turkey on January 20, 2021. Internationally valid “health certificate” is prepared for Van cats, visited by local and foreign tourists, within a project to protect their generations and increasing their numbers. Health certificates with information such as name, breed, gender, eye color, date of birth, tail feature, color, hearing status and identity are given to people who want to adopt cats. (Photo by Mesut Varol/Anadolu Agency via Getty Images)

Photographer Joana Choumali’s latest project explores body image and beauty by documenting the men building Abidjan’s clothing models. The “Awoulaba” mannequin is a customised model designed with the African ideal of beauty in mind, curvier than the stick-thin examples usually seen in the west. They first appeared in 2011, and have since become a familiar sight outside the numerous clothing shops dotted throughout Ivory Coast’s capital, Abidjan. Here: An apprentice lines up his work on a roadside. (Photo by Joana Choumali)

Joshua Hoffine, based in Kansas City, Mo., and a self-proclaimed “Horror Photographer”, is interested in the psychology of fear. In his project “After Dark, My Sweet”, Hoffine’s surreal and staged images render these fears visible with the “visual grammar of a child”. Through elaborate sets, costumes, makeup and fog machines, Hoffine’s children act out these terrifying scenes in front of his camera. Here: “Basement”. (Photo by Joshua Hoffine/The Washington Post)

People carry drinks at 80s Bar in Damascus, Syria, March 11, 2016. In Damascus's Old City, just a mile from the battered frontline between government and rebel-held territory, young Syrians smoke, drink beer or soft drinks, and talk about anything but the war. The revival of activity in this once-vibrant quarter is part of efforts to project an air of normality in the Syrian capital, even as the five-year-old war that has killed more than 250,000 people and created 5 million refugees continues to rage nearby. (Photo by Omar Sanadiki/Reuters)