View of the work “Divided” (2016), within the visual artist's exhibition “Urs Fischer: Lovers”, exhibited at the Museo Jumex in Mexico City, Mexico 31 March 2022. The sensations and emotions of love and life, as well as the energy and forces that create and wear it down, inhabit “Urs Fischer: Lovers”, the first solo exhibition in Mexico by Swiss plastics artist Urs Fischer. (Photo by Alex Cruz/EPA/EFE)

On the morning of February 14, 2025, the arrival of spring was celebrated in a festive atmosphere under the Bakul tree at the Faculty of Fine Arts, University of Dhaka. Dressed in vibrant shades of yellow and orange, people welcomed the season with music, dance, and traditional attire, embracing the warmth and joy of new beginnings. (Photo by Rubel Karmaker/ZUMA Press Wire/Alamy Live News)

A visitor takes a picture of the painting “Portrait of an Artist (Pool with Two Figures), 1972” by British painter David Hockney during a press visit ahead of the opening of the exhibition “David Hockney 25” at the Fondation Louis Vuitton in Paris, France, on April 8, 2025. (Photo by Gonzalo Fuentes/Reuters)

Sleeping Anthidium. Female Anthidium punctatum; Size: 7 mm. (Photo by John Hallmén)

Members of the LSU Golden Girls dance team sit spaced apart wearing masks, under COVID-19 restrictions, requiring social distancing and masks, before an NCAA college football game between the LSU and the Mississippi State in Baton Rouge, La., Saturday, September 26, 2020. (Photo by Gerald Herbert/AP Photo)

Dancer Megan changes costume as she performs in the review “Feerie” at the Moulin Rouge in Paris, France, July 3, 2018. Each show requires 1,000 outfits, all crafted in the workshops that have been supplying the Moulin Rouge for decades. Each dancer has to make between 10 and 15 costume changes per show, with about 90 seconds to complete each one before they have to be back out on stage. (Photo by Philippe Wojazer/Reuters)

“John Constables's «The Hay Wein» meets «Bender» from «Futurama»”. (Photo and caption by Dave Pollot/Caters News)

A knife is seen beside a bowl containing blood after a ram was killed as a sacrifice in front of a shrine at the annual voodoo festival in Ouidah, Benin, January 10, 2016. In Ouidah, a small town and former slave port in the West African country of Benin, the annual voodoo festival gathers visitors from far and wide. It's a week that brings together priests and dignitaries, rich and poor, locals and visitors from as far afield as the Caribbean and France. The festival commemorates the estimated 60 million people who lost their homelands and their freedom during the African slave trade. (Photo by Akintunde Akinleye/Reuters)