People hold umbrellas as they walk past a flooded street in Taiyuan, Shanxi Province, China, July 19, 2016. (Photo by Reuters/China Daily)

Children residents take a selfie as they wait for the police to dance, an unconventional approach to connect the police with the community in rough neighbourhoods, as part of the “Tirando Barrio” (Marking territory) programme in Saltillo, Northern Mexico September 9, 2016. T-Shirt reads “Street Dancers”. (Photo by Daniel Becerril/Reuters)

A 14 year-old Myanmar girl carries three bags of powdered-limestone to load in to a boat on the bank of Ayeyarwaddy River, on International Women's Day in Mandalay, Myanmar, Tuesday, March 8, 2016. Migrant workers living along Ayeyarwaddy riverbank earn bout 5000 Kyats (US Dollar 4) a day for loading and unloading goods. (Photro by Hkun Lat/AP Photo)

Man prepares wigs as he waits for customers in downtown Johannesburg, on August 5, 2014. Some estimates put Africa's dry hair industry at as much as $6 billion a year; Nigerian singer Muma Gee recently boasted that she spends 500,000 naira ($3,100) on a single hair piece made of 11 sets of human hair. (Photo by Siphiwe Sibeko/Reuters)

A couple chats at a park during sunset in Chihuahua November 15, 2014. (Photo by Jose Luis Gonzalez/Reuters)

Indian Air Force soldiers toss their rifles as they perform during the full-dress rehearsal for Indian Air Force Day at the Hindon air force station on the outskirts of New Delhi October 6, 2015. (Photo by Anindito Mukherjee/Reuters)

A couple who did not give their names walk in downtown Havana, February 2, 2015. (Photo by Alexandre Meneghini/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)