Galveston resident Charlotte, 12, photographs her two-year-old beagle Sunny who reacts to high wind ahead of Hurricane Laura in Galveston, Texas, U.S., August 26, 2020. (Photo by Adrees Latif/Reuters)
A demonstrator confronts a police officer outside the 18th District Police station during a rally after the death of Walter Wallace Jr., a Black man who was shot by police in Philadelphia, Pennsylvania, U.S., October 27, 2020. (Photo by Bastiaan Slabbers/Reuters)
A woman reacts as colour powder is applied to her face on during Holi celebrations, amidst the spread of the coronavirus disease (COVID-19), in Ahmedabad, India, March 29, 2021. (Photo by Amit Dave/Reuters)
British fashion designer Kimberley Garner arrives for the screening of the film “France” at the 74th edition of the Cannes Film Festival in Cannes, southern France, on July 15, 2021. (Photo by Johanna Geron/Reuters)
Martina Maggio, Alice D'Amato, Lara Mori, Asia D'Amato, and Vanessa Ferrari of Team Italy pose in front of the rings during Women's Qualification on day two of the Tokyo 2020 Olympic Games at Ariake Gymnastics Centre on July 25, 2021 in Tokyo, Japan. (Photo by Mike Blake/Reuters)
American actress Marsai Martin poses in the press room with the youngstar's award at the BET Awards on Sunday, June 26, 2022, at the Microsoft Theater in Los Angeles. (Photo by Richard Shotwell/Invision/AP Photo)
Clouds turn shades of red and orange when the sun sets behind One World Trade Center and the Manhattan skyline on Wednesday, November 5, 2025 in New York City. (Photo by John Angelillo/UPI/Rex Features/Shutterstock)
Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.