Five year-old Fatima plays as women weave a carpet in a home workshop in Peshawar, Pakistan, January 13, 2022. (Photo by Fayaz Aziz/Reuters)

A woman watches the rain from inside a stranded vehicle on a flooded street in Mianyang, Sichuan, China on July 11, 2018. (Photo by China News Service via Reuters)

People carrying torches march during the traditional Bonfire Celebrations in Lewes, Britain on November 4, 2017. Lewes holds Britain's largest Bonfire night celebrations. The event marks Guy Fawkes Night and the uncovering of the Gunpowder Plot in 1605 and commemorates the memory seventeen Protestant martyrs from the town who were burned at the stake. Thousands gather with flaming torches to march through the street and burn effigies. (Photo by Neil Hall/EPA/EFE)

A woman walks inside a building in downtown Havana, Cuba April 21, 2016. (Photo by Alexandre Meneghini/Reuters)

Palestinians perform to amuse people with a wire which ignites sparks during the Islamic holy fasting month of Ramadan, on April 03, 2023 in Gaza City, Gaza. (Photo by Mustafa Hassona/Anadolu Agency via Getty Images)

Ballerinas Kennedy George, 14, and Ava Holloway, 14, pose in front of a monument of Confederate general Robert E. Lee after Virginia Governor Ralph Northam ordered its removal after widespread civil unrest following the death in Minneapolis police custody of George Floyd, in Richmond, Virginia, U.S. June 5, 2020. (Photo by Julia Rendleman/Reuters)

Israeli illusionist and endurance artist Hezi Dean performs a purported levitation trick in Tel Aviv March 22, 2015. Dean on Sunday began what he calls a “24-hour levitation” on the outside of a Tel Aviv building. (Photo by Baz Ratner/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)