Mug shot of William Stanley Moore, 1 May 1925, Central Police Station, Sydney. This picture appears in the Photo Supplement to the NSW Police Gazette, 28 July, 1926 captioned: “Opium dealer. Operates with large quantities of faked opium and cocaine. A wharf labourer; associates with water front thieves and drug traders”. (Photo by NSW Police Forensic Photography Archive, Justice & Police Museum, Histiric Houses Trust of NSW)

Cast members Ryan Hansen, Kristen Bell, and Jason Dohring (L-R) pose at the premiere of “Veronica Mars” in Hollywood, California in this March 12, 2014 file photo. (Photo by Mario Anzuoni/Reuters)

A family wearing traditional Japanese clothing posed for a photograph during spring season in one of the garden in Kiyomizu dera, Kyoto prefecture, Japan on March 30, 2018. (Photo by Richard Atrero de Guzman/NurPhoto via Getty Images)

For her series “Japanese Whispers”, Belgian photographer Zaza Bertrand headed inside the intimate world of rabuhos – Japanese love hotels. Love hotels became popular in Japan from the 1960s onwards, due to a lack of privacy in many family homes. There are now around 37,000 of these hotels in Japan, allowing short daytime “rests” or overnight stays. (Photo by Zaza Bertrand/The Guardian)

Gizzard, a chihuahua is held by his owner at the 31st Annual Tompkins Square Halloween Dog Parade in New York, U.S., October 23, 2021. Last year the parade was cancelled due to the coronavirus pandemic. (Photo by Caitlin Ochs/Reuters)

Brazilian Tapir Tique is treated to a nice cold shower by the zoo keeper at Taronga Zoo on January 8, 2013 in Sydney, Australia. Temperatures are expected to reach as high as 43 degrees around Sydney today. (Photo by Marianna Massey)

This 2014 series Shanghai Tian Wa saw Chinese photographer Liu Tao train his lens on two distinct districts in Shanghai. Here: “Shanghai Tian Wai №26, 2014”. (Photo by Liu Tao/The Guardian)

Heesco, Windsor. Born and raised in Mongolia and now living and working in Melbourne, Heesco is well known for his skill in rendering photo-realistic portraits. They speak to the viewer in a way that the subtext is enjoyable to decipher. Just what is the Blue Lady’s message? The sunglasses might mask the confronting gaze but her body language fills in the gaps. Heesco’s characters often wear traditional jewellery and clothing that remind us of his Mongolian cultural heritage. (Photo by Lou Chamberlin/The Guardian)