In this November 20, 2017 photo, Indian kushti wrestlers fight in the ring, during their daily training at an akhada, a kind of wrestling hostel at Sabzi Mandi, in New Delhi, India. Like many traditions in rapidly modernizing India, kushti wrestling faces the threat of being left behind. But for many poor families, the ancient sport provides a glimmer of hope. (Photo by Dar Yasin/AP Photo)

Buddy Mae Walker (R), 4, looks at herself in the mirror while trying on a child respirator provided by the non-profit TeamRaccoonPDX on October 6, 2020 in Portland, Oregon. We told them their grandparents sent them space suits to keep them safe, Jessica Walker said of the respirators, which the family sought out after police used tear gas near their residential street. (Photo by Nathan Howard/Getty Images)

A general view of a royal wedding themed window display at Agent Provocateur in Pont Street, Chelsea on April 29, 2011 in London, England. The marriage of the second in line to the British throne is to be led by the Archbishop of Canterbury and will be attended by 1900 guests, including foreign Royal family members and heads of state. Thousands of well-wishers from around the world have also flocked to London to witness the spectacle and pageantry of the Royal Wedding. (Photo by Adrian Murrell/Getty Images)

Susan Lordi's art reflects our relationships with people and the world around us. Her keen observation of the human form is further inspired by dance, art history, nature, and personal experiences with family and friends. These influences are revealed in her Willow Tree® sculptures, from which emotion is communicated through gestures only.

Dismaland is a temporary art project organized by street artist Banksy, constructed in the seaside resort town of Weston-super-Mare in Somerset, England.The secretive pop-up exhibition at the Tropicana, a disused lido, is "a sinister twist on Disneyland" that opened during the weekend of 21 August 2015. Banksy has described it as a "family theme park unsuitable for children".

Planned improvements to Rio’s favelas have meant increases in rent, forcing the poorest families into squatting in unoccupied buildings. Photographer Tariq Zaidi visits the Mangueira community favela, less than 1km from the showpiece Maracanã stadium, to see what life is like for the women living there. Here: Victoria, 12, at her home in Mangueira. (Photo by Tariq Zaidi/The Guardian)