A visitor walks past an installation artwork entitled “Confuciuse” which combines the word “Confucius” and “confuse” in the contemporary art exhibition at “Fun and Art” Festival on December 13, 2008 in Xian of Shaanxi Province, China. (Photo by China Photos/Getty Images)

A sheep dressed in a jersey in the colors of the Colombian national soccer team is seen during a exhibition in Nobsa, Colombia June 1, 2014. The sheep is named Falcao, after the Colombian player. REUTERS/Jose Miguel Gomez

A sculpture is displayed at the Olympic Sculptures Exhibition at the Sculpture Park September 4, 2006 in Changchun of Jilin Province, China. (Photo by China Photos/Getty Images)

North Korean women in colorful traditional dresses are surrounded by flower blossoms known as “Kimilsungia” as they wait to guide guests at a flower exhibition in Pyongyang, North Korea, April 14, 2014. The flowers, named after Kim Il Sung, are on display to celebrate the late leader's official birth date of April 15, 1912. (Photo by David Guttenfelder/AP Photo)

A woman takes a picture of people posing in front of “Zinzow”, a “Transformers-inspired” sculpture constructed from scrap metal in Podgorica, July 22, 2014. Danilo Baletic, 22, makes sculptures of his childhood cartoon heroes, “Transformers”, from scrap metal. In the last two years he has made seven “Transformers” sculptures that are placed on the streets of Montenegro's capital Podgorica as part of an exhibition called “Transformers defending Podgorica”. (Photo by Stevo Vasiljevic/Reuters)

A museum employee views “Details of Renaissance Paintings (Sandro Botticelli, Birth of Venus, 1482)” by Andy Warhol at the Victoria and Albert museum in London, Britain, March 2, 2016. The piece forms part of “Botticelli Reimagined”, an exhibition exploring the ways artists have responded to the artistic legacy of the fifteenth century artist Sandro Botticelli, and including over fifty artworks by Botticelli himself. (Photo by Toby Melville/Reuters)

“The Family of Man” opened at The Museum of Modern Art in January 1955 and was curated by Edward Steichen. It was groundbreaking in its scope – 503 images by 273 photographers from 68 countries – as well as in the numbers of people who experienced it on its tour through 88 venues in 37 countries. The touring exhibit drew over 9 million people and the accompanying catalog sold over 2.5 million copies. Here: “Coney Island, New York”, by American photographer Garry Winogrand, circa 1952. (Photo by Garry Winogrand)