Feast your eyes on Europe’s most spectacular car graveyards as discovered by one auto-obsessed explorer who has dedicated over ten years to finding the best cars left to rot in the European wilderness. The beautiful set of images were taken in Germany, Sweden and Belgium by German Civil Servant Robert Kahl (30) using a Nikon D7100. He describes his photographs as showcasing “the beauty of transience and decayed charm”. Here: 1941 Chevrolet 1.5 tonnes are left to rot in a field. (Photo by Robert Kahl/Mediadrumworld)

The adventurous explorers have snapped themselves in shark-infested waters, at the side of an active volcano, atop a Hong Kong skyscraper surrounded by toxic smog, and even perched on the top of iconic Rio statue of Christ the Redeemer. Here: Ervin Punkar using a selfie stick to take a photo from the very top of the 600ft TV tower in Tartu, Estonia. (Photo by Ervin Punkar/Caters News Agency)

"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

Central Bangkok and the Chao Phraya River are seen from an abandoned skyscraper in Bangkok April 19, 2015. The abandoned building, known as Satorn Unique, dubbed the “ghost tower” was destined to become one of Bangkok's most luxurious residential addresses but construction was never completed as the Thai economy was hit during the 1997 Asian Financial Crisis. Now, many travellers visit and explore 49-storey skyscraper. (Photo by Athit Perawongmetha/Reuters)

Young Swiss photographer Cyril Porchet’s final year show included this awesome series of the most opulent Baroque church altars he could find in Spain, Austria and Germany. His intention was to explore the seductive power of display. What is extraordinary is how much you lose all sense of perspective and depth, such is the overabundance of detail. I like how the odd feature confuses all the more; like the red rope of the ornamental light in the image below for instance which neatly splices the image in half. I could pore over these for hours and hours.

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)