Chinese artist Kong Ning poses in a costume symbolizing a butterfly, which is decorated with 365 masks on its wings to represent the number of days in a year, during her performance art at the Badaling section of the Great Wall on the outskirts of Beijing January 1, 2015. Kong, whose works include themes related to China's air pollution problem, named her new performance art “Hua Die” (transforming into a butterfly) and performed it on the first day of the new year as she hopes that China has clean air for this year. (Photo by Kim Kyung-Hoon/Reuters)

Daring motorists entertain spectators by dangerously driving cars and motorcycles on a vertical “wall of death” in Manikgonj, Bangladesh on January 17, 2023. Performers travel without any protective gear at speeds of up to 80 km/h so that their vehicles can balance on the 25 feet high wooden plank. (Photo by Syed Mahabubul Kader/ZUMA Press Wire/Rex Features/Shutterstock)

Dried and shrivelled corpses, some fully clothed and some in coffins, line the wall of a vault of the Pantheon Cemetery on the summit of Cerro del Trozado in Mexico. They were removed from the crypts because of non-payment of cemetery fees. The hot dry air stopped the bodies from rotting. Most of them were placed here between the turn of the century and WW I. (Photo by Three Lions/Getty Images). Circa 1955

Hawaiian surfer Sean Yoro aka Hula combines his love of surfing and his artistic talent, creating hyperrealistic portraits of bathing women at different seaside locations. His work is inspired by street art and abandoned spaces that he uses as his hard-to-reach canvases. Carefully carrying cans of colored paint on the edge of his board, the New York-based artist applies his half submerged female portraits onto the wall.

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

In the desert near Joshua Tree, California, there stands a 70-year-old homestead cabin that isn’t all there. The ethereal cabin is part of an outdoor art installation by artist Phillip K. Smith III called Lucid Homestead. To give the cabin its striking appearance, the artist replaced strips of the wall with mirrors and the windows with mirrored panels that light up at night. The building reflects the desert sun and environment around it, making it seem like an airy and transparent space

Brad Says “Brick sculpture can be dated back to ancient Babylon but remains a fresh and interesting enhancement to any building, wall or environment. The brick medium has all the same characteristics of durability and low maintenance as a brick building, blends well in settings where other brick construction is present, looks good with landscaping and has a familiarity which is comforting to people. Brick sculpture adds intrigue and interest to a commonly understood material as viewers try to figure out the techniques by which it was created.”