The Soulton Long Barrow in Shropshire, UK on January 5, 2025. The main chamber is aligned so that at winter solstice and for a few weeks after, the sun sets directly through the stained glass door, resulting in a beautifuil rainbow of light to flood through the chamber. (Photo by Andrew Fusek Peters/South West News Service)

“Still” also known as the “Mirror Man”, created by artist Rob Mulholland which symbolises the physical and spiritual relationship between humans and the natural world, has returned to Loch Earn in St. Fillans on May 9, 2025 after being removed in 2017 due to storm damage. (Photo by Lesley Martin)

Visitors stand next to the artwork “No, 2021” by Italian visual artist Maurizio Cattelan displayed at the gallery Gagosian during the Art Basel fair for Modern and contemporary art, in Basel, on June 17, 2025. The fair will open to the public from June 19 to June 22, 2025, featuring over 290 leading galleries and more than 4,000 artists from five continents. (Photo by Fabrice Coffrini/AFP Photo)

LONDON - JUNE 04: A piece entitled “Entrance into wood” by Elke Krystufek goes on show at The Royal Academy Summer Exhibition on June 4, 2008 in London. In it's 240th year, the exhibition displays a wide range of recent work by both established and emerging artists. 10,000 artists submitted work for selection this year. (Photo by Peter Macdiarmid/Getty Images)

Artist Will Ryman poses for photographs next to his installation entitled “The Bed” at the Saatchi Gallery in Chelsea on January 7, 2008 in London, England. (Photo by Chris Jackson/Getty Images)

Monumental landscape artwork “Hush” by installation artist Steve Messam hangs in the moors of Teesdale on July 18, 2019 in Barnard Castle, England. The outdoor installation is inspired by the geology, mining history and landscape of the area. It hangs over Bales Hush, a deep gauge in the terrain created when miners flushed the area with water to reveal the geological riches below. Hundreds of metres of recyclable saffron yellow fabric blow in the wind. (Photo by Christopher Thomond/The Guardian)

View of the work “Divided” (2016), within the visual artist's exhibition “Urs Fischer: Lovers”, exhibited at the Museo Jumex in Mexico City, Mexico 31 March 2022. The sensations and emotions of love and life, as well as the energy and forces that create and wear it down, inhabit “Urs Fischer: Lovers”, the first solo exhibition in Mexico by Swiss plastics artist Urs Fischer. (Photo by Alex Cruz/EPA/EFE)

A picture taken on April 18, 2020 in Sainte-Croix shows a scultpure representing a man wearing a facemask as a preventive measure against the Covid-19 coronavirus in a field. (Photo by Fabrice Coffrini/AFP Photo)