The head of a Bennett's Wallaby Joey emerges from its mothers' pouch at Yorkshire Wildlife Park in Doncaster, England on March 19, 2020, where the park still remains open to the public as coronavirus continues to hit the UK. (Photo by Danny Lawson/PA Images via Getty Images)

Wildlife photographer Danté Fenolio has headed into areas untouched by sunlight – deep seas, caves and underground – and found creatures that are exploding with colour. Here: The golden harlequin toad has vanished from the wild, and only a small number live on in captivity. A fungus caused them, and many other amphibians, to die out in their home in Central America. (Photo by Danté Fenolio/The Guardian/Johns Hopkins University Press)

A highland cow grazing high above the River Tweed at Thormylee in the Scottish Borders strikes a formidable pose in the morning light on May 3, 2023. (Photo by Phil Wilkinson/The Times)

Alligators and an egret stand on the banks of the Bento Gomes river next to the Transpantaneira road at the Pantanal wetlands near Pocone, Mato Grosso state, Brazil, Monday, September 14, 2020. A vast swath of the vital wetlands is burning in Brazil, sweeping across several national parks and obscuring the sun behind dense smoke. (Photo by Andre Penner/AP Photo)

A confiscated pet lion poses with a dog as it arrived back home from the Phnom Tamao Wildlife Rescue Center after Prime Minister Hun Sen ordered authorities to return the animal in Phnom Penh, Cambodia, July 5, 2021. (Photo by Cindy Liu/Reuters)

Zurich soccer player Loris Benito tries to catch a marten during the Swiss Super League match between FC Thun and FC Zurich in Thun, Switzerland, March 10, 2013. (Photo by Marcel Bieri/Keystone)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.