An aerial view taken with a drone shows the autumnally colored Fuerst-Pueckler-Park near Cottbus, eastern Germany, Saturday, October 29, 2016. The park, composed with great sensitivity in the 19th century by Prince Hermann von Pueckler-Muskau, is considered as one of the last great German landscape gardens. (Photo by Patrick Pleul/DPA via AP Photo)

When Colin Garratt went to photograph the traditional sentinels of the British countryside, he found they ranged from the dapper to the downright sinister. “They are not from the anaesthetised world of the craft fair”, says Colin Garratt, “but are the direct descendants of the ancient spectres which have haunted the landscape for centuries”. The Scarecrow Exhibition is at Geddes Gallery, London, from 25 to 30 March. (Photo by Colin Garratt)

In this aerial image, Baker Lake is surrounded by Fall colors on October 8, 2022 near East Bolton, Quebec, Canada. (Photo by Sébastien St-Jean/AFP Photo)

Zurich soccer player Loris Benito tries to catch a marten during the Swiss Super League match between FC Thun and FC Zurich in Thun, Switzerland, March 10, 2013. (Photo by Marcel Bieri/Keystone)

Alpine driver Pierre Gasly of France slides off the track during a qualifying session at the Formula One Las Vegas Grand Prix auto race, Friday, November 21, 2025 in Las Vegas. (Photo by Nick Didlick/AP Photo)

Ballet dancer and performer Ashlee Montague of New York wears a gas mask while she dances in Times Square as the coronavirus disease (COVID-19) outbreak continued in Manhattan, New York City, U.S., March 18, 2020. (Photo by Andrew Kelly/Reuters)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.