The selfie is the most popular photography trend of the internet today. It's gotten so popular, in fact, that even our beloved feline friends have started to catch on. I dare you to keep the smile off your face for this one!

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.

Nurse's Home, North Brother Island, New York. Photographer Christopher Payne specializes in the documentation of America’s vanishing architecture and industrial landscape. His new book, North Brother Island: The Last Unknown Place in New York City, explores an uninhabited island of ruins in the East River of New York City. (Photo by Christopher Payne)

Annelie Vandendael was born in Belgium and grew up in the South of France. After college she came back to Belgium to study at the Royal Academy of Fine Arts (Kask) in Genth where she got a master degree in Photography; Images have always been a passion for her. After finishing her studies, she was invited to “La Fabrica”, the Benetton Communication and Research Center in Treviso, Italy. She was also nominated for the photo academy Award in the Netherlands and won the Award of the Roorda Agency, Amsterdam. (Photo by Annelie Vandendael)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

“Jim Fiscus is an American photographer specializing in editorial and advertising photography, including several highly regarded campaigns for the Showtime series Dexter, starring Michael C. Hall. Fiscus, who is based in Athens, Georgia, has won many awards for his work, including at the 2005 International Photo Awards for his portraits of hip-hop and R&B artists Jay-Z, Usher, and Outkast. Also in 2005, he was named International Photographer of the Year at the Lucies, and he is the winner of the 2008 International Aperture Award for his photograph of English chef and best-selling cookbook author Jamie Oliver, commissioned by Channel 4 in the U.K. In 2009, his photographic novella, “The Unfortunate Moment of Misunderstanding”, was displayed at Industrial Color’s M Project Gallery in New York in June 2009”. – Wikipedia

These are the amazing panoramic photographs that look like little planets. They were taken by photographer Dan Arkle, 34, from Sheffield, UK. He said: “On a sharp summit, you feel literally on top of the world, with dramatic views in all directions, including straight down. I tried using conventional photography to capture this feeling, but even with a wide angle lens I couldnt get all the view in the image”. Here: “Taken at the tiny summit of Cima Piccola in the the Tre Cima group in the Dolomites, Italy. The large peak is Cima Grande Some remote peaks have a summit register, and my climbing partner Steve can be seen signing this in the bottom of the picture”. (“Little Planets” Project. Photo and comment by Dan Arkle)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)