Sellers sort persimmons for sale at a wholesale market in Hanoi, Vietnam October 3, 2016. (Photo by Reuters/Kham)

An Iraqi special forces soldier shot dead an Islamic State suicide bomber in Mosul, Iraq March 3, 2017. (Photo by Goran Tomasevic/Reuters)

A goat wearing a jacket is seen on a farm on a cold winter morning in New Delhi, India on January 3, 2023. (Photo by Anushree Fadnavis/Reuters)

A yellow-billed oxpecker stands on a giraffe in the Masai Mara National Park, Kenya on September 3, 2022. (Photo by Baz Ratner/Reuters)

A fan waves a Brazilian flag before the arrival of the Olympic torch ahead of the Rio 2016 Olympic Games on August 2, 2016 in Sao Goncalo, Rio de Janeiro state, Brazil. The torch will arrive in the city of Rio tomorrow and the Games commence on August 5. (Photo by Mario Tama/Getty Images)

Customers are seen in front of a shop that reopened in central Copenhagen, Denmark, 01 March 2021. Shops reopened after several months of closure due to the coronavirus COVID-19 pandemic. (Photo by Philip Davali/EPA/EFE)

American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.