“Slow”. A calm cow in the messy streets of Jodhpur. Photo location: India. (Photo and caption by Matthias Troeger/National Geographic Photo Contest)

Havilland Mosquito KA 114 performs a low pass during an airshow commemorating the completion of its rebuild on September 29, 2012 in Ardmore, New Zealand. The plane was restored by Warbird Restorations at Ardmore Aerodrome and is the only flying Mosquito in the world. (Photo by Simon Watts)

Many of the 12 million people who entered the US through New York’s Ellis Island wore traditional dress from their homelands. Here: A Ruthenian woman circa 1906 from the region historically inhabiting the kingdom of the Rus, incorporating parts of modern-day Slavic speaking countries. Her outfit consists of a shirt and underskirt made from linen embroidered with traditional floral-based patterns. (Photo by Augustus Francis Sherman/New York Public Library/The Guardian)

Dressed in a torn sleeveless t-shirt, sweatpants, and an ominous looking gas mask, the talented mind of Jessica Dunegan swirls with creative ideas for turn flat pictures into surreal pieces of art with depth, texture, and shine. Jessica’s selection of media is far different than most creators of surreal portraits.

Tomasz Alen Kopera, Polish painter, was born in Kozuchow, Poland. He attended the University of Technology in Wroclaw, where he gained a degree in Engineering.

With six-inch fangs and weighing in at 600lb, Saber and Janda are no ­ordinary house cats. Yet these huge Bengal tigers live in Janice Haley’s suburban garden and are treated like ordinary pets. They are fed by hand, get strokes and cuddles, and white male Saber goes to sleep sucking on her finger. Janice’s life changed 20 years ago when she spotted an advert for a tiger training course in her local paper – and two years later arrived home with her first cub. Then in 2002 she bought Janda, who is now 12. Photo: The pair are best of friends. (Photo by Ruaridh Connellan/Barcroft Media)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)

“Bodies in urban spaces” is a temporarily intervention in diversified urban architectonical environment. The intention of “bodies in urban spaces” is to point out the urban functional structure and to uncover the restricted movement possibilities and behavior as well as rules and limitations. Photo: “Bodies in Urban Spaces”, September 26, 2010. (Photos by Andrew Russeth)