People holding umbrellas under strong wind walk pass a crosswalk as tropical storm Ma-on passes Hong Kong, Thursday, August 25, 2022. (Photo by Anthony Kwan/AP Photo)

A glitter rainbow mini dress, worn by Taylor Swift in her “End Game” music video, and other outfits in the William Morris Gallery in London, United Kingdom on March 31, 2023 unveils an exhibition of fashion designer Ashish. (Photo by Guy Bell/Alamy Live News)

Women soldiers dance during a parade marking the 78th anniversary of the Indonesian Armed Forces in Jakarta, Indonesia, Thursday, October 5, 2023. (Photo by Tatan Syuflana/AP Photo)

Penny Verdin displays a sleeping squirrel she helped rescue after it was injured during Hurricane Ida, Saturday, September 4, 2021, in Dulac, La. (Photo by John Locher/AP Photo)

Erik Ravelo goes straight for the jugular in his series, Los Intocables (The Untouchables). Depicting children in one the most vulnerable poses of all time, Ravelo attempts to speak for those who cannot properly articulate their pain. The sick, twisted games that adults play can come at a cost to future generations and Ravelo’s series gives a voice to those children who get caught in the crossfire.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.