Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.

Przemek Pawlicki performs during training in Leszno, Poland on May 12, 2016. A stunning action-packed catalogue of photographs from sporting events around the world has been released by Red Bull. The energy drink giant's photographers have been busy capturing extraordinary images of action sports and some of the world's greatest daredevils. (Photo by Lukasz Nazdraczew/Red Bull/SWNS.com)

Sophie Turner (L) attends HBO's Official 2019 Emmy After Party on September 22, 2019 in Los Angeles, California. (Photo by Jeff Kravitz/FilmMagic for HBO)

Soldiers from 12 Mechanized Brigade perform a simulated casualty evacuation at the Ministry of Defence training area at Copehill Down on Salisbury Plain on March 9, 2012 in Wiltshire, England. The Defence Secretary Philip Hammond visited the military facility to meet soldiers from the Brigade who are shortly to deploy to Afghanistan for Operation Herrick 16, and troops from the 3rd Battalion, the Yorkshire regiment which lost five of the six men who died this week in the deadliest single attack in Afghanistan since 2001. (Photo by Matt Cardy/Getty Images)

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.