A utility worker clears snow by the Tomb of the Unknown Soldier in Alexander Garden during a snowfall in Moscow, Russia on January 28, 2021. (Photo by Vyacheslav Prokofyev/TASS)

In this November 21, 2015 photo, Camila Lopez Rivas, 14, poses for portraits on a beach in Havana, Cuba, as an assistant lifts the train of her dress to make it look like its flying in the wind. Camila lives in Miami, the daughter of a truck driver who left Cuba when she was a baby. She doesn't remember the island, but wanted to return for the photographs and videos that Latin American girls typically take for their 15th birthdays. (Photo by Ramon Espinosa/AP Photo)

Charlotte Louise, Travis Wood and Dylan Collymore in Pinocchio at Theatre Royal Stratford East, London in 2024. (Photo by Tristram Kenton/The Guardian)

Border Security Force (BSF) personnel patrol along the border fence during a cold foggy morning near India-Pakistan Wagah border about 40km from Amritsar on December 21, 2022. (Photo by Narinder Nanu/AFP Photo)

A woman cools off after taking a traditional steam bath (banya) at Sergei Benke's homestead in the village of Bobrovka, Tarsky District in Omsk Region, Russia on December 11, 2020. (Photo by Sergei Malgavko/TASS)

Afghan men work in a small sweets factory in Kabul, Afghanistan January 5, 2017. (Photo by Mohammad Ismail/Reuters)

The digital art piece “Visor” by Mad Dog Jones is pictured ahead of an auction at Sotheby’s in London, United Kingdom on June 1, 2021. (Photo by Mad Dog Jones/Reuters)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)