A rescue worker holds an injured boy after what activists said were airstrikes carried out by the Russian air force in Idlib city, Syria December 20, 2015. (Photo by Ammar Abdullah/Reuters)

A woman browses through kimonos for sale at Boroichi flea market in Tokyo December 15, 2014. In the 16th century, Boroichi was a place for farmers to buy and sell rags, known as boro, for mending clothes and weaving sandals. Now in its 436th year, the original spirit lingers, with about 700 stands hawking fabric, used clothes and piles of rags. Others sell kitchen tools, pottery, seaweed and spices. About 200,000 people flock to the market, which is only open for four mid-winter days a year – two in December and two in January. (Photo by Thomas Peter/Reuters)

Due to the influence of Sci-Fi movies, many of us have an obsession with giant robots. How cool would it be to ride a gigantic robotic dinosaur or elephant? It would be even cooler to control one! Regretfully, the modern technologies are not yet sophisticated enough to fulfill this dream. Pierre Orefice and François Delarozière, however, came very close. These two artists have made it their goal to turn Nantes, France, into a hot tourist destination spot for people who love robots. In their project of Machines de l'île in Nantes, they have created a whole park of robotic monstrosities, ranging from a giant 3 story high elephant to a 2 meter long centipede crawling on a rail track.

This series of pictures shot by satellite, show the man-made world as astronauts see it. Artist Benjamin Grant uses Google Earth to find the most compelling satellite images of human civilization. The stunning pictures of sprawling metropolises and vast reservoirs are sometimes unidentifiable until zoomed in. In order to find an extraordinary picture in the practically endless supply of satellite data, Benjamin focuses on the themes of current events or environmental issues. Here: Industrial Sector, Tokai, Japan. (Photo by Benjamin Grant/Digital Globe/Caters News)

At the end of a six-year relationship, photographer Laura Stevens needed to find a creative, external outlet for all the complicated feelings she was processing internally. “Another November” is the end product, a photo series that aims to mirror those agonizing emotions that Stevens felt at the time of the breakup – and the subsequent healing process. Here: “Jessica” is photographed at her Paris home in this scene staged by photographer Laura Stevens. (Photo by Laura Stevens)

A woman takes a photograph of a sculpture titled “Couple Under an Umbrella, 2013” by Australian sculptor Ron Mueck during a preview of his exhibition at the Pinacoteca Museum in Sao Paulo November 19, 2014. (Photo by Nacho Doce/Reuters)

The Skeleton Coast is the northern part of the Atlantic Ocean coast of Namibia and south of Angola from the Kunene River south to the Swakop River, although the name is sometimes used to describe the entire Namib Desert coast. The Bushmen of the Namibian interior called the region "The Land God Made in Anger", while Portuguese sailors once referred to it as "The Gates of Hell".

The main feature of the Mitsuyama Taisai Festival, three 18 meters tall “mountains”. are displayed at the Itate Hyozu Shrine on March 31, 2013 in Himeji, Japan. The festival is held once in 20 years since 1593, Priests of Itate Hyozu Shrine welcome to all the gods across the country for top of the three mountains and treat with food seven days from today as to pray for peace and prosperity. (Photo by Buddhika Weerasinghe)