5-year-old Rina Kumari rubs her eye while cracking stones on the banks of Mahananda river in Siliguri, northeast India, March 5, 2005. Over 400 million people in India live below the internationally agreed poverty line (living on less than US $1 per day). According to estimates, several hundred thousand children work as labourers and beg on the streets in India. (Photo by Desmond Boylan/Reuters)

By making use of digital colour grading and composites, Romanian photographer Caras Ionut created these dreamy blue-themed landscapes. The work is even more impressive when you consider that Caras, who has been a mariner for the last 24 years, only picked up an interest in photography a few years ago. For more of his work, including fashion composites and semi-surrealist scapes.

1st prize in the People Observed Portraits Stories category. Carla Kogelman, the Netherlands. The photo shows Hannah and Alena, two sisters living in the rural village of Merkenbrechts, Austria. (Photo by Carla Kogelman/World Press Photo)

In this photo provided by World Press Photo, the 1st Prize Daily Life Single of the 2011 World Press Photo Contest by Omar Feisal, Somalia, Reuters, shows a man carrying a shark through the streets of Mogadishu, Somalia, September 23, 2010. (AP Photo/Omar Feisal/Reuters)

The Genghis Khan Statue is a 40-metre tall statue of Ghengis Khan (1162–1227) on horseback, on the bank of the Tuul River at Tsonjin Boldog (54 km east of the capital Ulan Bator), where according to legend, he found a golden whip.

The Great Picture” is a black and white panoramic print of Marine Corps Air Station El Toro, an old military outpost. The print measures 111 feet wide by 32 feet high on seamless white muslin cloth. (Photo by Caters News)

Fireworks explode over Elizabeth Tower housing the Big Ben clock in London. (Photo by Kirsty Wigglesworth/Associated Press)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)