Rays from the rising sun shine through the foliage of trees as fog covers the ground near the Guckler Karoly Observatory in Budapest, Hungary, 02 January 2017. (Photo by Balazs Mohai/EPA)
A couple watches the sunset over a sea of fog covering the Geneva Lake from Chardonne, Switzerland, 28 December 2015. (Photo by Jean-Christophe Bott/EPA)
This picture taken on September 14, 2024 shows Japanese wrestler Yuki Kamifuku (R) fighting her opponent “Crystal” of the Philippines during a Middle Kingdom Wrestling (MKW) championship event in Shanghai. Despite a promising potential domestic market, the Chinese pro wrestling community has been battling for recognition and financial stability for decades. (Photo by Wang Zhao/AFP Photo)
Argentine-Spanish model Georgina Rodriguez attends the Kering Foundation's Caring for Women dinner during the Spring-Summer 2026 New York Fashion Week in New York City, U.S., September 11, 2025. (Photo by Angelina Katsanis/Reuters)
Margaux Lange’s Plastic Body Series art jewelry collection utilizes salvaged Barbie doll parts in combination with sterling silver and pigmented resins. The series is a result of Lange’s desire to re-purpose mass produced materials into handmade, wearable art. It is meant to examine and celebrate her own as well as pop culture’s relationship with the icon known simply as: Barbie
The “Strandbeest” sculpture created by Dutch artist Theo Jansen walks at Federation Square on February 1, 2012 in Melbourne, Australia. The 12 metre long, 4 metre high and 2 metre wide structure built of plastic tubes and bottles designed to walk using wind energy will be on display at Federation Square until February 26. (Photo by Scott Barbour/Getty Images)
Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.