“The Miss Exotic World Pageant (officially, the Miss Exotic World Pageant and Striptease Reunion) is an annual neo-burlesque pageant and convention, and is the annual showcase event (and fundraiser for) the Burlesque Hall of Fame (formerly the Exotic World burlesque museum). The pageant, sometimes referred to as the “Miss America of Burlesque”, attracts former burlesque queens from past decades, as well as current participants of the neo-burlesque scene. The pageant consists of burlesque performances spanning a weekend, culminating with the competition to crown a single performer as Miss Exotic World. Because of the significance of the Exotic World Burlesque Museum to the burlesque community, winning the pageant is considered a top honor for a burlesque performer”. – Wikipedia

Here: Stephanie Blake removes a stocking at the Miss Exotic World Pageant at the Exotic World Burlesque Museum on June 7, 2003 in Helendale outside of Barstow, California. (Photo by David McNew/Getty Images)

“Lorenzo Quinn (born May 7, 1966) is an Italian artist and sculptor and the fifth son of the actor Anthony Quinn. By the age of 21 he gained the respect of the New York art community when he was commissioned to make an art work for the United Nations of which a stamp was later made. Quinn was later selected to head the Absolut Vodka ad campaign for which only top international artists are chosen”. – Wikipedia

Photo: Lorenzo Quinn's Vroom Vroom sculpture is installed in its new setting on Park Lane on January 23, 2011 in London, England. The four-metre high sculpture, consists of a vintage Fiat 500, the first car that the sculptor ever bought, grasped by an oversized aluminium child's hand modelled from Quinn's son. The exhibition has previously been displayed in Valencia and Abu Dhabi. (Photo by Matthew Lloyd/Getty Images for Halcyon Gallery)

Indian bride takes part in a mass marriage ceremony under chief minister's welfare scheme (Mukhyamantri Kanyadan Yojna) on the occasion of the Basant Panchami festival, in Bhopal, India, 30 January 2020. (Photo by Sanjeev Gupta/EPA/EFE/Rex Features/Shutterstock)

Masked dancers perform a ritualistic dance at Kathmandu Durbar Square during the procession of erecting a sacred pole locally called “Ya: Shi”, marking the formal start of Indra Jatra dedicated to rain god Indra in Kathmandu, Nepal, on September 15, 2024. (Photo by Subaas Shrestha/NurPhoto/Rex Features/Shutterstock)

While communism, collectivism, worms, dry rot and casual looting failed to destroy the majestic wooden churches of Russia, it may be ordinary neglect that finally does them in. Dwindled now to several hundred remaining examples, these glories of vernacular architecture lie scattered amid the vastness of the world’s largest country. Just over a decade ago, Richard Davies, a British architectural photographer, struck out on a mission to record the fragile and poetic structures. Austerely beautiful and haunting, “Wooden Churches: Traveling in the Russian North” (White Sea Publishing; $132) is the result. Covering thousands of miles, Mr. Davies described how he and the writer Matilda Moreton tracked down the survivors from among the thousands of onion-domed structures built after Prince Vladimir converted to Christianity in 988.

NASA says it could be another 20 years before humans touch down on Mars, but in a sense, the Mars Society has been exploring the red planet for more than a decade – in Utah. Photo: Csilla Orgel, a geologist of Crew 125 EuroMoonMars B mission, makes her way back to the Mars Desert Research Station (MDRS) in the Utah desert March 3, 2013. The MDRS aims to investigate the feasibility of a human exploration of Mars and uses the Utah desert's Mars-like terrain to simulate working conditions on the red planet. Scientists, students and enthusiasts work together developing field tactics and studying the terrain. All outdoor exploration is done wearing simulated spacesuits and carrying air supply packs and crews live together in a small communication base with limited amounts of electricity, food, oxygen and water. Everything needed to survive must be produced, fixed and replaced on site. (Photo by Jim Urquhart/Reuters)

“NASA's Pathfinder, Pathfinder Plus, Centurion and Helios Prototype were an evolutionary series of solar- and fuel-cell-system-powered unmanned aerial vehicles. AeroVironment, Inc. developed the vehicles under NASA's Environmental Research Aircraft and Sensor Technology (ERAST) program. They were built to develop the technologies that would allow long-term, high-altitude aircraft to serve as “atmospheric satellites”, to perform atmospheric research tasks as well as serve as communications platforms”. – Wikipedia

Photo: The solar-electric Helios Prototype flying wing is flies over the Hawaiian islands of Niihau and Lehua during the first solar-powered test flight July 14, 2001 from the U.S. Navy's Pacific Missile Range Facility on Kauai, HI. The 18-hour flight was a functional checkout of the aircraft's systems and performance in preparation for an attempt to reach sustained flight at 100,000 feet altitude later in the summer. (Photo Courtesy of NASA/Getty Images)

“A cuddle party or cuddle puddle is an event designed with the intention of allowing people to experience non-sexual group physical intimacy through cuddling. Cuddle parties are described by organizers as “workshop/social-events” that gives adults an opportunity to “give and receive welcomed affectionate touch in a no-expectation, friendly setting, according to your needs, desires, interests, and boundaries”. Cuddle parties are described as non-sexual events but kissing may occur at some parties”. – Wikipedia

Photo: People cuddle during an a “Cuddle Party” October 16, 2004 in New York City. Started by Reid Mihalko and Marcia Baczynski, cuddle parties are events for adults to get together and explore affectionate touch and communication without it becoming sexualized. At the parties, strangers spend time introducing themselves and setting boundaries before lying down to cuddle. (Photo by Spencer Platt/Getty Images)