A South Korean marine in action during their regular drill on Yeonpyeong Island, South Korea November 1, 2018. (Photo by Jeon Heon-Kyun/Pool via Reuters)

Participants from a North Korea military band perform during the Spasskaya Tower international military music festival in Red Square in Moscow, Russia, Friday, August 23, 2019. (Photo by Alexander Zemlianichenko/AP Photo)

Kim Yelim, of South Korea, competes in the women's free skate program during the figure skating competition at the 2022 Winter Olympics, Thursday, February 17, 2022, in Beijing. (Photo by Natacha Pisarenko/AP Photo)

Sarah Everhardt of the U.S. performs during the gala exhibition in the ISU Four Continents Figure Skating Championships at the Mokdong ice rink in Seoul, South Korea, Sunday, February 23, 2025. (Photo by Lee Jin-man/AP Photo)

Demonstrators help a fellow protester during clashes with security forces during an opposition rally in Caracas, Venezuela on April 4, 2017. Protesters clashed with police in Venezuela Tuesday as the opposition mobilized against moves to tighten President Nicolas Maduro' s grip on power. Protesters hurled stones at riot police who fired tear gas as they blocked the demonstrators from advancing through central Caracas, where pro- government activists were also planning to march. (Photo by Carlos Garcia Rawlins/Reuters)

The Mano de Desierto is a large-scale sculpture of a hand located in the Atacama Desert in Chile, 75 km to the south of the city of Antofagasta, on the Panamerican Highway. The nearest point of reference is the “Ciudad Empresarial La Negra” (La Negra Business City). The sculpture was constructed by the Chilean sculptor Mario Irarrázabal at an altitude of 1,100 meters above sea level. Irarrázabal used the human figure to express emotions like injustice, loneliness, sorrow and torture. Its exaggerated size is said to emphasize human vulnerability and helplessness. The work has a base of iron and cement, and stands 11 metres (36 ft) tall. Funded by Corporación Pro Antofagasta, a local booster organization, the sculpture was inaugurated on March 28, 1992.

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

A mother of a victim who was onboard sunken ferry Sewol, leaves a message on a desk used by her child at an empty classroom, which was preserved since the disaster, at Danwon high school during the second anniversary of the disaster in Ansan, South Korea, April 16, 2016. (Photo by Kim Hong-Ji/Reuters)