Sister Kate and Sister Claire pose on the beach to promote the documentary film “Breaking Habits?” at the Cannes Film Festival on May 09, 2018 in Cannes, France. (Photo by Regis Duvignau/Reuters)

Children hold signs thanking truck drivers hauling rocks to the Lake Oroville Dam after an evacuation was ordered for communities downstream from the dam in Oroville, California, U.S. February 13, 2017. (Photo by Jim Urquhart/Reuters)

On Dale A. Browne’s first trip to Yellowstone, he “got the best shot” he’d ever taken after chasing this weasel for 30 minutes. The trip for the 58-year-old from Manassas, Va., was a gift from his wife and an opportunity to improve his photography skills with the help of guide and professional photographer Tom Murphy. (Murphy did not assist in the taking of this photo). (Photo by Dale A. Browne)

Finding just the right spot above the clouds at Camp 1 on Ama Dablam, Danuru Sherpa uses his iPhone to catch up with friends and family. Even at 18,500 feet (5,654 meters), climbers here can check their email and other dispatches from the world below. (Photo by Aaron Huey/National Geographic)

Policemen escort a Femen activist who broke into a rally of Franco's dictatorship regimen followers in Madrid, Spain, 28 March 2021. (Photo by Zipi/EPA/EFE)

The abandoned Moulton and Kyle Funeral Home in Jacksonville, Fla., which is more than 150 years old, was left to rot, with the premises eerily strewn with open caskets, a hearse and embalming chemicals. Much like the corpses that were laid to rest, the remains of this building too are slowly decomposing and decaying. Black mold has engulfed the walls, and chipped tiles from the collapsed ceilings cover many of the floors. (Photo by Abandoned Southeast/Caters News Agency)

The sun rises behind The Royal Liver Building in Liverpool, Merseyside on Tuesday, January 17, 2023. (Photo by Peter Byrne/PA Images via Getty Images)

Public Space series, 2015. This series by Morteza Niknahad and Behnam Zakeri tends toward cinema, taking an almost cartoonish view of modern life in Iran. This work was inspired by the social life of dolphins. (Photo by Morteza Niknahad and Behnam Zakeri/The Guardian)