American artists have drawn criticism after making stunning, intricate sculptures by pouring hot liquid aluminium into anthills.

Farhad Moshiri, an Iranian artist working a lot with carpet media using it as a mean to joke about consumerism culture, was one of the participants of the group show Love Me Love Me Not of Yarat! pavilion curate by Dina Nasser-Khadivi (read on her curating Lalla Essaydi's Harem here) at Venice 2013 Art Biennial. The installation consists of more than 500 carpets depicting celebrities-covered magazines from all over the world.

Ammunition airlift into besieged Khe Sanh, Operation Pegasus, April 1968. (Photo by Larry Burrows/AP Photo)

Two Girls who managed to evade the police walk away as police on foot and horseback push back to te curd at Park Row, In New York on April 26, 1960, A milling throng of more than 1,000 High students who storned city hall in a Demonstration supporting teachers wage demands. (Photo by AP Photo)

A tamed hawk sits on a chair next to a participant during a traditional hunting contest in Almaty, Kazakhstan on December 1, 2018. (Photo by Pavel Mikheyev/Reuters)

In this picture taken on October 28, 2017, former Japanese p*rn star Mana Izumi checks her new tattoo at a tattoo studio in Tsurugashima, Saitama prefecture. Tattoos still provoke deep-rooted suspicion in Japan as the country prepares to host the 2020 Tokyo Olympics. People with body ink are refused entry to public swimming pools, bathing spots, beaches and often gyms, while visible body art can be harmful to job prospects. (Photo by Behrouz Mehri/AFP Photo)

Tactics reminiscent of the early American frontier days are now being used in Vietnam. Lieutenant Commander Donald D. Sheppard, UBN, of Coronado, California, aims a flaming arrow at a bamboo hut concealing a fortified Viet Cong bunker on the banks of the Bassac River, Vietnam on December 8, 1967. (Photo by AP Photo)