France's athlete Auriana Lazraq-Khlass celebrates second place in the women's heptathlon final during the European Athletics Championships at the Olympic stadium in Rome on June 8, 2024. (Photo by Filippo Monteforte/AFP Photo)

Poland's Maria Andrejczyk competes in the women's javelin throw final of the athletics event at the Paris 2024 Olympic Games at Stade de France in Saint-Denis, north of Paris, on August 10, 2024. (Photo by Dylan Martinez/Reuters)

Spain's Paula Badosa gives a thumbs up after falling on the court during her women's singles semi-final match against Belarus' Aryna Sabalenka on day twelve of the Australian Open tennis tournament in Melbourne on January 23, 2025. (Photo by David Gray/AFP Photo)

A member falls as Team Kazakhstan competes during the women's team pursuit speed skating final at the 9th Asian Winter Games in Harbin, China on Tuesday, February 11, 2025. (Photo by Aaron Favila/AP Photo)

Models walk during the finale for the Black Tape Project fashion show at New York Fashion Week Fall 2024 powered by Art Hearts Fashion at The Angel Orensanz Foundation on February 11, 2024 in New York City. (Photo by Arun Nevader/Getty Images for Art Hearts Fashion)

Yaroslava Mahuchikh, of Ukraine, competes in the women's high jump competition at the Wanda Diamond League Final 2025 athletics meeting in Zurich, Switzerland, Wednesday, August 27, 2025. (Photo by Til Buergy/Keystone via AP Photo)

Kyaiktiyo, Burma, 1978. The Golden Rock at Shwe Pyi Daw (the Golden Country), the Buddhist holy place. Hiroji Kubota writes: “I was desperate to keep a distance from America for a while; luckily, I found Burma and its gentle and compassionate people. In the spring of 1978, on the top of the hill where I took this photo, I had two Leica bodies: the one with Tri-X and the other with Kodachrome 64. Soon after, I realised that the colour one looked very colourful and was more powerful. That was my decisive moment, to become a colour photographer”. (Photo by Hiroji Kubota/Magnum Photos)

California-based glass artist Loren Stump specializes in a form of glasswork called murrine, where rods of glass are melted together and then sliced to reveal elaborate patterns and forms. While the murrina process appeared in the Mideast some 4,000 years ago, Stump has perfected his own technique over the past 35 years to the point where he can now layer entire portraits and paintings in glass before slicing them to see the final results. His most complex piece to date is a detailed interpretation of Leonardo da Vinci’s Virgin of the Rocks, which involved hundreds of glass components that were melted into a final piece.