Cosplayers take a break from the convention to check their phones and get coffee during “Anime Boston 2024” at the Hynes Convention Center in Boston, Massachusetts, on March 30, 2024. The convention is organized by the New England Anime Society and celebrates all things Japanese animation, comics and popular culture. (Photo by Joseph Prezioso/AFP Photo)

A child reacts as a family takes a break next to a cooling mist at the Sensoji temple as Japanese government issued heat stroke alerts in 39 of the country's 47 prefectures in Tokyo, Japan on July 22, 2024. (Photo by Issei Kato/Reuters)

A Filipino mother Nikki Garcia combined her love for arts and crafts with the Japanese tradition of bento boxes to combat her children’s eating habits.

Amphibious assault vehicles of the South Korean Marine Corps throw smoke bombs as they move to land on shore during a U.S.-South Korea joint landing operation drill in Pohang March 31, 2014. The drill is part of the two countries' annual military training called Foal Eagle, which began on February 24 and runs until April 18. (Photo by Kim Hong-Ji/Reuters)

North Korean girls in similar bathing suits stand under a shower at the Songdowon International Children's Camp, Tuesday, July 29, 2014, in Wonsan, North Korea. The camp, which has been operating for nearly 30 years, was originally intended mainly to deepen relations with friendly countries in the Communist or non-aligned world. But officials say they are willing to accept youth from anywhere – even the United States. (Photo by Wong Maye-E/AP Photo)

A newly-married couple takes a nap before their mass wedding ceremony at the CheongShim Peace World Center in Gapyeong, South Korea, Sunday, February 17, 2013. Some 3,500 South Korean and foreign couples exchanged or reaffirmed marriage vows in the Unification Church's mass wedding arranged by Hak Ja Han Moon, a wife of the late Rev. Sun Myung Moon, the controversial founder of the Unification Church. (Photo by Lee Jin-man/AP Photo)

“Do-Ho Suh addresses issues of identity, memory, and relationships. Son of the famous Korean ink-painter Suh Se-Ok, Do-Ho Suh is a leading figure in the transnational avant-garde generation of Korean artists who came of age in the late 1990s, and his work eloquently represents a dual consciousness between East and West”.

Photo: “Karma” by Do-Ho Suh. Sydney and Walda Besthoff Sculpture Garden, New Orleans Museum of Art, New Orleans, LA. (Photo by Alan Teo)