Aurora Borealis, or Northern Lights, shine over the plane wreck of a US Navy airplane – a Douglas Super DC-3 – on the Black Beach in Solheimasandur, south Iceland on January 18, 2018. (Photo by Owen Humphreys/PA Images via Getty Images)

A person shields themself from snowfall as they walk to a taxi in Midtown Manhattan, New York City on January 6, 2024. Forecasters warned on January 5 that a deluge of snow and wintery conditions could bring travel chaos to the US northeast this weekend, with some 25 million people subject to a storm warning. (Photo by Adam Gray/AFP Photo)

An adult periodical cicada, in the process of shedding its nymphal skin, is visible on Saturday, May 11, 2024, in Cincinnati. There are two large compound eyes, which are used to visually perceive the world around them, and three small, jewel-like, simple eyes called ocelli at center. (Photo by Carolyn Kaster/AP Photo)

Solid Light, an exhibition of the immersive works of Anthony McCall, opens at Tate Modern in London on June 25, 2024. Installations use beams of light projected through a thin mist to create large three-dimensional forms. (Photo by Guy Bell/Alamy Live News)

An aerial view of Syrian people flocked to the streets in the capital Damascus to celebrate US President Donald Trump's decision to lift sanctions in Damascus, Syria on May 13, 2025. (Photo by Amadeusz Mikolaj Swierk/Anadolu via Getty Images)

This photograph shows installing of the artwork of Venezuelan-US artist Alex Da Corte titled “Kermit the Frog, Even” at Place Vendome in Paris, on October 19, 2025, ahead of the official opening of the Art Basel contemporary and modern art market. (Photo by Dimitar Photo)

A dog belonging to the Armed Police Force jumps through a ring of fire while performing a trick during Kukur Tihar as part of Tihar, a term used in Nepal for Diwali, in Kathmandu, Nepal, on October 20, 2025. (Photo by Navesh Chitrakar/Reuters)

“Guns have a massive amount of power associated with them. They are designed to kill. We decided to photograph portraits of them in a similar way you might photograph a powerful person. Like powerful people, pistols have this “perfect” quality that we wanted to explore. As we started shooting them, we could see flaws in their design. Metal burring around the barrels, scratches in the metal. This imperfection and detail were very interesting to us; connecting us back to these images as portraits”. – Peter Andrew. (Photo by Peter Andrew/Simon Duffy/Derek Blais)