A man shows golf ball-size hail outside Parliament House after a severe hail storm hit Canberra, Australia, 20 January 2020. (Photo by Mick Tsikas/EPA/EFE)

Leon Feingold, right, drops his jeans as his girlfriend Patrizia Calvio looks in her purse on the uptown E Train during the 18th annual No Pants Subway Ride, January 13, 2019, in New York. (Photo by Kathy Willens/AP Photo)

Brazil's Kathellen in action with Australia's Alanna Kennedy during the Australia vs Brazil, Group C match at the FIFA Women's World Cup at Stade La Mosson Stadium on June 13th 2019 in Montpellier, France. (Photo by Eric Gaillard/Reuters)

The “Rabid Transit” Burning Man art car erupts with flames from it's onboard propane poofers during the 4th day of the annual Burning Man arts and music festival in the Black Rock Desert of Nevada, U.S., August 31, 2017. (Photo by Jim Bourg/Reuters)

Rachel Hollon of Los Angeles was body painted as Harley Quinn at Comic-Con International in San Diego, USA on Jule 20, 2017. (Photo by K.C. Alfred/San Diego Union-Tribune via ZUMA Press/Rex Features/Shutterstock)

A worker walks through a salt pan on the eve of May Day or Labour Day on the outskirts of the southern Indian city of Chennai April 30, 2014. India is the third largest salt producing country in the world after China and U.S. with global annual production about 230 million tonnes, according to government data. (Photo by Reuters/Babu)

The dapper beasts are the creation of Barcelona-based artist and photographer Yago Partal, 31, whose work has achieved a cult following online. In his latest project he has merged photographs and illustrations to create a set of quirky animal portraits. Photo: “Hare wearing a v-neck jumper and shirt”. (Photo by Yago Partal/Barcroft Media)

See also: Zoo Portraits By Yago Partal. Part 1

Randy Scott Slavin's photography is surrealism based in reality. His work portrays land and cityscapes in a 360 degree view, a perspective closer to that of the human eye than a 2D photograph, he says. Slavin's "Alternate Perspectives" is a series of photographs of a single location or landmark pieced together to create a 360 degree perspective in a flat image. The results are whimsical, and occasionally eerie, scenes that reflect the portion and scale of Slavin's surroundings when he took the photo.