A nurse helps an injured bomb victim sitting at the back of a pickup truck at the Asokoro General Hospital in Abuja, April 14, 2014. A morning rush-hour bomb killed at least 35 people at a Nigerian bus station near the capital on Monday, raising concerns about the spread of an Islamist insurgency after the first such attack on Abuja for two years. Suspicion fell on Boko Haram, though there was no immediate claim of responsibility from the Islamist group mainly active in the northeast. Five hours after the blast, officials had given no death toll. Reuters journalists counted at least 35 bodies. (Photo by Afolabi Sotunde/Reuters)

A member from the Iraqi security forces beats an Islamic State insurgent, who was captured in Tikrit April 1, 2015. Iraqi troops and Shi'ite paramilitary fighters were battling Islamic State on Wednesday in northern Tikrit, which officials described as the Sunni Muslim militant group's last stronghold in the city. (Photo by Alaa Al-Marjani/Reuters)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.

A man shows medicine to an Indian policeman after he was stopped by the police during a curfew in Srinagar July 15, 2016. Curfew imposed in the disputed Himalayan region continued for the seventh straight day to check anti-India violence following the recent killing of a charismatic Kashmiri insurgent Burhan Wani. (Photo by Danish Ismail/Reuters)

Invasion (laser girls) 2017. “I’m always thinking about my art practice, so any experience I have may spike a visual when I have an idea in mind. An example is that, when I was thinking about the Invasion series, I was inspired by Alfred Hitchcock’s movie The Birds (1963). I love Hitchcock’s other movies and have been contemplating a series based on Rear Window (1954). I also find inspiration outside the cinema in music clips and magazines”. (Photo by Michael Cook/Perimeter Books)

A mahout watches the Thai animation movie Kan Kluay with his elephant in Ayuthaya province, about 80km (49 miles) north of Bangkok June 5, 2006. The movie tells the story of a young Thai wild elephant who, while looking for his father, becomes the war elephant of the Thai King fighting against Burma and restored Thailand's ancient Ayuthaya empire that existed about 400 years ago. (Photo by Sukree Sukplang/Reuters)

From left, Cierra Fraser, 28, Los Angeles, a nanny, and Joslin Farley, 28, Los Angeles, a barista, poses in the outfits they wore to see the movie “Barbie” at TCL Chinese Theater in Los Angeles, California, on July 22, 2023. “I just knew that it was in good hands. I knew we were not gonna get a stereotypical barbie movie. I knew it was gonna be exactly what the people needed”, said Farley. (Photo by Jenna Schoenefeld for The Washington Post)

Giving out with a yell, Elke Sommer is tossed on the trampoline as she trains for her movie role as an athlete, on the playing field of the University of California at Los Angeles, June 8, 1967. (Photo by AP Photo)