Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

Photographers take photographs of the Large Air Tanker (LAT) C-130 Hercules, also known as “Thor”, as it drops a load of around 15,000 litres during a display by the Rural Fire Service ahead of the bushfire season at RAAF Base Richmond Sydney, Australia, September 1, 2017. (Photo by David Gray/Reuters)

Thousands of heavy-duty trucks loaded with coal are lined up for up to 130 kilometres from the Mongolia-China border on a sole road in the Gobi desert, Mongolia, October 29, 2017. The journey can take more than a week. (Photo by Bazarsukh Rentsendorj/Reuters)

Fighters battle in Manhattan's Union Square during a massive pillow fight on April 2, 2011 in New York City. Over 130 cities worldwide are participating in the fourth annual International Pillow Fight Day. (Photo by Mario Tama/Getty Images)

Flowers are placed on a “comfort woman” statue during the weekly Wednesday protest in front of Japanese embassy demanding for an apology and compensation from Japanese government in Seoul, South Korea, July 22, 2015. “Comfort women” is the Japanese euphemism for women who were forced into prostitution and sexually abused at Japanese military brothels before and during World War Two. (Photo by Kim Kyung-Hoon/Reuters)

Shuichi Mizoguchi is the forerunner of Japanese digital graphic art. He is known for his fantastic Japanese feminine beauty imagery. SHU can get the best of his talent to use various colors freely and uniquely to create fantastic imagery of ancient scenery, robots on top of the Japanese feminine beauty. His imagery has been captivated by Japanese young and middle class generations.

“24.27 N, 81.44 W. These coordinates mark the spot of the final resting place of an old brave soldier, the USS General Hoyt S. Vandenberg. In 2009 it underwent a complete change when the creaky steel monster became a mystical bearer of secrets. In May of that year, the Vandenberg was lowered down into the darkness of the ocean off the coast of Florida to become an artificial reef, where it would dwell in rigor mortis at a depth of 130 feet. This lively, animate, secretive nothingness, this menacing, wild emptiness would haunt and seduce the renowned Austrian photographer and passionate diver Andreas Franke...”. – The Sinking World (Photo by Andreas Franke)