An officer of the Afghan border police throws an assault rifle to a policeman participating in a military exercise on the outskirts of Herat, Afghanistan, Monday, September 7, 2015. Twelve female and seventy male border police personnel participated in the military exercise near the border with Iran in Herat province. (Photo by Hoshang Hashimi/AP Photo)

A woman models the Julie Concealed Carry Handbag by Hiding Hilda during the “Fashion & Firearms” concealed carry fashion show at the National Rifle Association (NRA) annual meeting in Indianapolis, Indiana, U.S., April 27, 2019. (Photo by Lucas Jackson/Reuters)

A boy holds a rifle as he sits at the site of a rally held by followers of the Shi'ite Houthi movement to commemorate the Ashura, the holiest day on the Shi'ite Muslim calendar, in Sanaa, Yemen on August 30, 2020. (Photo by Khaled Abdullah/Reuters)

A boy fires blanks from a Kalashnikov rifle, during Maslenitsa celebrations, or Shrovetide, to say farewell to winter in Minsk, Belarus, Sunday, March 1, 2020. Maslenitsa is a traditional Russian and Belarusian holiday marking the end of winter that dates back to pagan times. (Photo by Sergei Grits/AP Photo)

Haneen, sister of Mohammad Shehada who was killed in an Israeli airstrike, kisses his rifle during the funeral of four Palestinians in Nour Shams camp, in Tulkarm, in the Israeli-occupied West Bank on July 3, 2024. (Photo by Raneen Sawafta/Reuters)

Indian Air Force soldiers toss their rifles as they perform during the full-dress rehearsal for Indian Air Force Day at the Hindon air force station on the outskirts of New Delhi October 6, 2015. (Photo by Anindito Mukherjee/Reuters)

Russian President Vladimir Putin aims a sniper rifle during a visit to the Patriot military exhibition center outside Moscow, Russia, Wednesday, September 19, 2018. Putin chaired a meeting that focused on new arms programs. (Photo by Alexei Nikolsky/Sputnik/Kremlin Pool Photo via AP Photo)

From a height of three meters, porcelain figurines are dropped on the ground, and the sound they make when they hit trips the shutter release. The result: razor-sharp images of disturbing beauty—temporary sculptures made visible to the human eye by high-speed photography technology. The porcelain statuette bursting into pieces isn't what really captures the attention; the fascination lies in the genesis of a dynamic figure that replaces the static pose. In contrast to the inertness of the intact kitsch figurines Klimas started out with, the photographs of their destruction possess a powerfully narrative character.