In this photograph taken on September 22, 2016, a Pakistani devotee decorates symbolic paper boats, an offering to Muslim saint Abdulqadir Jilani as a way of giving thanks after their desire to give birth to a son was fulfilled, before dropping it into the water during an annual ceremony on the banks of the River Ravi in Lahore. The ceremony commemorates a centuries-old tale that Muslim saint Abdulqadir Jilani raised a sunken ship carrying a wedding party, at the pleading of the groom's mother, saving all the occupants. (Photo by Arif Ali/AFP Photo)

The Boeoegg, a giant symbolic snowman made of wadding and and filled with firecrackers burns on top of a bonfire in Sechselaeuten square on April 24, 2017 in Zurich. When the bells of the Saint Peter's church chime six o'clock, the bonfire under the snowman is set in fire and the guildsmen wearing historical costumes ride around the bonfire. The faster the head of the snowman explods the warmer and more beautiful the summer will be. (Photo by Michael Buholzer/AFP Photo)

“Mehndi or menhdi is the application of henna as a temporary form of skin decoration in India, as well as by expatriate communities from the country. The word mehndi is derived from the Sanskrit word mendhikā. The use of mehndi and turmeric is described in the earliest Vedic ritual books. Haldi (Staining oneself with turmeric paste) as well as mehndi are important Vedic customs as a symbolic representation of the Outer and the Inner Sun. Vedic customs are meant to awaken the “inner light” and so the gold of the inner Sun has an important symbolic function”. – Wikipedia

Photo: Application of henna or “Mehndi” to a girls hand in a market on October 18, 2010 in Jaipur, India. (Photo by Simon de Trey-White/Getty Images)

Balinese Hindus carry Pratimas, or symbols of God, on the beach during Melasti, a purification ceremony, ahead of the holy day of Nyepi, in Gianyar on the Indonesian resort island of Bali, March 6, 2016. Nyepi is a day of silence to celebrate the Balinese new year, reserved for self-reflection, where people are not allowed to use lights, light fires, work, travel or enjoy entertainment. (Photo by Roni Bintang/Reuters)

Visitors view Patricia Piccinini's “The Embrace” artwork during the “You Know Who” exhibition at the Abdulmecit Efendi mansion in Istanbul, Turkey, 27 September 2022. The exhibition, which by the organizers is described as questioning “the representation of the unknown in contemporary art, based on the symbolic world of the supernatural and unknown in the Byzantine period”, is shown from 20 September until 11 December 2022. (Photo by Erdem Sahin/EPA/EFE/Rex Features/Shutterstock)

An activist with a painted face symbolizing the count of days spent in captivity attends the Free Azov rally in support of the captured defenders of Mariupol on April 21, 2024 in Kyiv, Ukraine. The participants came out to remind about the Ukrainian soldiers who have been held in Russian captivity for more than two years. (Photo by Yan Dobronosov/Global Images Ukraine via Getty Images)

Paul Bond's art lives in the spaces between dreaming and reality. Drawing from the Latin American genre of Magic Realism where symbolic, surreal and fantastic elements blend with realistic atmospheres, they remove the veil on a world where everything is possible.

Marialuisa Tadeis sculpture is very large compared to a life size octopus. The sculptures are made of steel and concrete. They are then turned into a mosaic using hand cut glass. The texture is bumpy because of the mosaic but is smooth on the glass. The main idea behind the sculpture is to explore spiritual and symbolic representation.