An injured young woman is led away after an incident at Parsons Green underground tube station in west London on September 15, 2017. Police and ambulance services said they were responding to an “incident” at Parsons Green underground station in west London on Friday, following media reports of an explosion. A Metro. co. uk reporter at the scene was quoted by the paper as saying that a white container exploded on the train and passengers had suffered facial burns. (Photo by Luke MacGregor/Reuters)

All the people we meet, all the things we know, and all of our experiences shape our souls, forever marking our faces. This was probably the main idea of the performance piece created by Chinese artist Zhang Huan, in which his face was painted over by three calligraphers with the names of people he knew, personal stories, and random thoughts. Truly, it amazing just how much we can find out about a person just by looking at their face. Surely, not everyone has the ability to see into the soul of the person just by looking at their face, but those that do can easily see the person’s personality, their intelligence, and sometimes even get glimpse into their past. Though it sounds like magic to people who don’t have this ability, it is completely true. Somehow, our mind can pick up on the miniscule changes of the facial structure and figure out the dominant facial expressions of that person. (Photo by Zhang Huan)

A humanoid robot named Kansei, meaning “sensibility” in Japanese, makes a facial expression depicting “happiness”, next to the word “Love” during a demonstration at a laboratory of Meiji University's Robot and Science Institute in Kawasaki, south of Tokyo in this June 4, 2007 file photo. Three-fourths of robot installations over the next decade are expected to be concentrated in four areas: transportation equipment, including the automotive sector; computer and electronic products; electrical equipment and machinery. Labor costs have climbed in countries such as China that have been popular for outsourcing production, while technological advances for robots allow them to be more flexible and perform more tasks. (Photo by Yuriko Nakao/Reuters)

Carolaine Reis and her son Miguel Alves, residents of the Aglomerado da Serra favela, wear a protective mask against the spread of the new Coronavirus (COVID-19) made by the seamstresses of the Remexe Favelinha studio, in the Aglomerado da Serra favela, on April 13, 2020 in Belo Horizonte, Brazil. Facial masks follow the protocol and guidelines defined by the Ministry of Health. Around 6,000 masks have already been produced. The masks are being distributed to a part of the population and sold throughout the country, in the amount of 5 reais per unit. (Photo by Pedro Vilela/Getty Images)

A death mask thought to be that of English dramatist William Shakespeare (1566–1616). Found by Dr. Ludwig Becker in Mainz in 1849, the mask was linked to Shakespeare because of its 1616 date and its supposed facial resemblance to the writer. A rival theory, however, maintains that the mask is more likely to be that of English poet Ben Johnson. (Photo by Hulton Archive/Getty Images). Circa 1900

A boy jumps into a pool of mud during the traditional “Bloco da Lama” or “Mud Street” carnival party, in Paraty, Brazil, Saturday, February 25, 2017. Legend has it the “bloco” was born in 1986 after local teens hiking in a nearby mangrove forest smeared themselves with mud to discourage mosquitoes and then wandered through Paraty. The party grew year after year, but revelers eventually were banned from parading in the colonial downtown after shopkeepers complained pristine white walls were stained with the hard-to-remove mud. (Photo by Mauro Pimentel/AP Photo)

One of four Acehnese teen gets whipped for spending time in close proximity with her boyfriend who is not her husband, which is against Sharia law, in Aceh on April 18, 2017. Aceh on Sumatra island began implementing Sharia law after being granted special autonomy in 2001, an attempt by the central government in Jakarta to quell a long-running separatist insurgency. (Photo by Chaideer Mahyuddin/AFP Photo)

Artist Christopher Lovell counts himself lucky to have been a child of the 80s. The toys, cartoons and movies of the era left him spellbound, fueling his imagination. He finds this inspiration allows him to express himself very naturally through his art. Having developed a deep interest in fantasy and sci-fi, he spent his childhood and teen years immersed in every aspect of creativity he could access.