Rihanna poses as she attends the photocall for the movie “Battleship” at the Corinthia Hotel on March 28, 2012 in London, England. (Photo by Dave M. Benett/Getty Images)

A cosplay enthusiast waits at the premiere of the movie “Warcraft” in Hollywood, California U.S., June 6, 2016. (Photo by Mario Anzuoni/Reuters)

Fifty Shades Darker lingerie by Coco de Mer – capturing the “inner goddess” of Anastasia Steele – is launched following record-breaking release of movie’s new trailer. Official collection developed in conjunction with E.L. James to coincide with the new Fifty Shades Darker movie. They are the first official Fifty Shades Darker products to be released ahead of the new movie whose trailer was watched 114 million times in first 24 hours, breaking Star Wars: The Force Awakens previous record. (Photo by Rankin/Coco de Mer/Rex Shutterstock)

A Polish Air Force MIG-29 fighter (R) and an Italian Air Force Eurofighter Typhoon fighter patrol over the Baltics during a NATO air policing mission from Zokniai air base near Siauliai, Lithuania February 10, 2015. (Photo by Ints Kalnins/Reuters)

Libyan rebel fighters protect a pro-Gaddafi loyalist fighter from angry onlookers as he is brought in for medical attention to the Tripoli Central Hospital on August 25, 2011 in Tripoli, Libya. Heavy fighting continues in the Libyan capital between Gaddafi's forces and the surging rebel presence. Rebels, who have issued a $1.7m reward for Gaddafi's capture “dead or alive”, are attempting to reach Colonel Gaddafi's hometown of Sirte but have met loyalist resistance. (Photo by Daniel Berehulak/Getty Images)

Fans dressed in Spider-Man outfits gather at a promotional event for the forthcoming “Spider-Man: Homecoming” movie at the Art Science Museum in Singapore on June 7, 2017. The movie will be shown in cinemas around the world from July 5 onwards. (Photo by Toh Ting Wei/AFP Photo)

A young Free Syrian Army fighter holds a rifle in Haresta neighbourhood of Damascus January 16, 2013. (Photo by Goran Tomasevic/Reuters)

A collaboration between creative director Anna Burns and the photographer Thomas Brown. Through the use of various mediums the pair have curated an exhibition that explores the masculine world of B-Movies and juxtaposed it with the traditional British landscape. Using the themes of said movies – girls, guns and explosives – and twisting it against a very British backdrop these two challenge not only the premise of each subject but also the use of their chosen medias. The duo created a wall of umbrellas displaying elements of the classic B-Movie and located them within three landscapes – one being the forest, then London’s docklands and finally the grounds of Suffolk Manor house.