Emilia Pechinkova, a 24-years-old Bulgarian Pomak (Bulgarian speaking Muslims) bride poses for a photograph following the “gelina” or face painting ceremony carried out by female guests and relatives in preparation for her three-day wedding ceremony in the village of Draginovo, 100 kms southeast of Sofia on April 22, 2016. Bulgaria's Muslim population is one of the highest in the European Union. During the Communist regime religious rituals were not tolerated, and Muslims were forced to abandon wearing their traditional wedding outfits. Recently, more young Pomak women want to include traditional wedding customs that were forbidden during the regime, regardless of their secular lifestyles and the high cost of such a wedding. (Photo by Nikolay Doychinov/AFP Photo)

In Dougie Wallace’s photos of Mumbai taxis, the chatter, yelling, and constant horns of the city are almost audible. A selection of his images is on show at Gayfield Creative Spaces, Edinburgh, as part of the Retina photography festival until 30 July. For four years, the Glasgow-born Wallace focused his photos on one kind of taxi in particular: the Premier Padmini, a 1960s workhorse painted in black and yellow. Locally known as “Kaali-Peeli”, there were once more than 60,000 of them in the Indian city. But thanks to laws restricting pollution, the cars now are fast disappearing from Mumbai’s streets. (Photo by Dougie Wallace/The Guardian)

A man looks at members of the flash mob group calling themselves the «Brides of March» (“Grab a wedding dress and join the brides as we parade through the heart of San Francisco, strolling through Union Square, shopping at fancy stores and drinking at local bars!”) as they stand outside a bar March 18, 2006 in San Francisco. The flash mob group made their way through the streets stopping at bars, cafes, and several stores. (Photo by Justin Sullivan/Getty Images)

“The McDonnell Douglas KC-10 Extender is an air-to-air tanker aircraft in service with the United States Air Force derived from the civilian DC-10-30 airliner. The KC-10 was the second consecutive McDonnell Douglas transport aircraft to be selected by the US Air Force following the C-9 Nightingale. The similar KDC-10 is in service with the Royal Netherlands Air Force.”

Photo: A B-52G Stratofortress aircraft takes off with another B-52G close behind. Three cells of six B-52 and KC-10 Extender aircraft will takeoff seconds apart under combat conditions during the minimum interval takeoff exercise. The exercise is a part of an operational readiness inspection by the Strategic Air Command Inspector General Team. (Photo by USAF). 1998

Gorgeous galaxies and stunning stars make up this selection of pictures from the shortlisted entries for this year’s Insight Astronomy Photographer of the Year award. The winners will be announced on 15 September, and an exhibition of the winning images will be will be displayed in a free exhibition at the Royal Observatory Greenwich’s Astronomy Centre from 17 September. Here: “Seven Magic Points”. The rusty red swirls of the circular, iron sculpture Seven Magic Points in Brattebergan, Norway mirror the rippling aurora above. (Photo by Rune Engebø/Royal Observatory Greenwich’s Astronomy Photographer of the Year 2016/National Maritime Museum)

A poster for the IMAX presentation of “The Hunger Games: Catching Fire” (left), and a teaser poster for “The Hunger Games: Mockingjay, Part I”, both created by the Los Angeles-based design firm IGNITION. Both are nominated for the 2014 Key Art Awards in the category of Theatrical Domestic One-Sheet. The Hollywood Reporter's annual competition for the best in film and TV advertising honors some of the most creative imagery used in movie posters. Here is a selection of some of this year's nominees. (Photo by Key Art Awards 2014)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)