Israeli soldiers play the parts of wounded civilians during a drill simulating a toxic spill from an attack on a train in Beersheba, southern Israel, 13 January 2016, as Home Front medical teams, fire fighters and police carry out rescue operations. The large scale drill is the concluding exercise of the Fourth International Conference on Healthcare System Preparedness and Response to Emergencies and Disasters and includes some 200 of the world's experts on health system readiness from around the world. The conference is dealing with all types of medical emergencies from terrorist attacks to natural disasters. (Photo by Jim Hollander/EPA)

A Palestinian man reacts as he confronts Israeli forces during a protest against Israeli settlement activity near Hebron in the Israeli-occupied West Bank on June 11, 2022. (Photo by Mussa Qawasma/Reuters)

TCU Horned Frogs twirler performs at halftime of the game against the Baylor Bears at Amon G. Carter Stadium in Fort Worth, Texas, USA on November 6, 2021. (Photo by Kevin Jairaj/USA TODAY Sports)

Festival goers run toward the main stage to catch the beginning of Kendrick Lamar's set during the first weekend of Coachella 2012, on April 13, 2012. (AP Photo/Chris Pizzello)

British soldiers inspect a captured German place in the Horseguards' Parade, London during World War I in November 1914, with the London Eye in the background as a reminder of just how much has changed in the last 100 years. (Photo by Peter Macdiarmid/Getty Images)

This restroom on the rubbly flanks of Jonsknuten in Norway looks up at the peak of the 904m mountain. Yu have to leave the door open to enjoy the view but the chances of being disturbed are minimal. (Photo by Olaf Menz/Lonely Planet)

“Hard for Life”. (Photo by Theo Vu Xuan/Sony World Photography Awards/WENN.com)

The brutalist war memorials found throughout the former Yugoslavia were weird enough when they were built in the 1960s and 70s. Today, separated by the end of an architectural movement and the disintegration of the country, they seem almost alien. Belgian photographer Jan Kempenaers treats them purely as artistic objects in his book, “Spomenik”, named for the Serb-Croat word for monument. Known for photographing geographical oddities, Kempenaers was captivated by the spomenik after seeing them in an art encyclopedia. After hearing that many had been destroyed or abandoned, he set out to record what was left. (Photo by Jan Kempenaers)