A combination photo shows the faces of various attendees of New York Comic Con in Manhattan, New York, October 8, 2015. The event draws thousands of costumed fans, panels of pop culture luminaries and features a sprawling floor of vendors in a space equivalent to more than three football fields at the Jacob Javits Convention Center on Manhattan's West side. (Photo by Andrew Kelly/Reuters)

The northern lights, or aurora borealis, appear in the sky over the Bamburgh lighthouse at Stag Rock in Northumberland, England on September 28, 2016. (Photo by Owen Humphreys/PA Wire via ZUMA Press)

An Afghan girl harvests Cotton buds at a field on the outskirts of Balkh province, Afghanistan, November 15, 2014. (Photo by Sayed Mustafa/EPA)

A calico sits in its enclosure and suns itself in Hessen, Germany on May 28, 2021. The Opel Zoo presents a walk-in Madagascar aviary for caltas and varis. The primate species is native to Madagascar and is threatened with extinction. (Photo by Andreas Arnold/dpa)

Woman taunts naked man. (Photo by riskms/Getty Images)

“Life in War” (FotoEvidence Press) by Iranian photographer Majid Saeedi is probably the only book about Afghanistan that doesn’t show images of war. For ten years his camera photographed daily life in the context of war. His photographs reveal the humanity of a people living through decades of war. Here: Afghan men escape increasing summer temperatures by wading in the Qarga reservoir on July 9, 2010 in a suburb of Kabul, Afghanistan. (Photo by Majid Saeedi/Getty Images)

Firefighters watch as an air tanker drops retardant while battling the Ferguson fire in the Stanislaus National Forest, near Yosemite National Park, California on July 21, 2018. A fire that claimed the life of one firefighter and injured two others near California's Yosemite national park has almost doubled in size in three days, authorities said Friday. (Photo by Noah Berger/AFP Photo)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)