Wedges of an orange generate enough current and electrical juice – 3.5 volts – to power an LED. The fruit’s citric acid helps electrons flow from galvanized nails to copper wire in this 14-hour exposure. This image was published in September’s Visions of Earth, a trio of photos that appear in each issue of National Geographic. (Photo by Caleb Charland/National Geographic)

Nyaueth by Peter Zelewski – £2,000 third prize winner. This was taken near London’s Oxford Street as part of Zelewski’s series Beautiful Strangers. Zelewski explains: ‘The aim of Beautiful Strangers is to challenge the concept of traditional beauty with a series of spontaneous street portraits of everyday citizens who show character, uniqueness and a special inner quality’. (Photo by Peter Zelewski/Taylor Wessing Portrait Prize 2015)

David Yeo’s photography places naturally small species alongside animals that have been selectively bred to be tiny and cute. Here: “The most difficult aspect of this shoot was to get each African pygmy dormouse – also known as micro squirrels – on to a separate camera. Once in place, they needed to remain still long enough to get them both in the frame and looking at me. Often solitary, they naturally wanted to move away”. (Photo by David Yeo/Leica Studio Mayfair/The Guardian)

“Red Arrows” at the 2016 royal air tattoo, RAF Fairford, UK. By Jonny Williams, finalist: action. (Photo by Jonny Williams/UK National Geographic Traveller Photography Competition 2018)

John Malkovich as Marilyn Monroe in a re-creation of Andy Warhol's 1962 painting. The image is a part of the series, “The Malkovich Sessions”, by photographer Sandro Miller and on display at the Catherine Edelman Gallery in Chicago. Miller wanted to pay homage to the artists who influence his photographic career, and approached Malkovich with the idea of re-creating the famous portraits. (Photo by Sandro Miller/Catherine Edelman Gallery)

A) 1st place WINNER – Roy Rimmer. “This rat was in an outdoor set I made, the set up is two meters long and a meter wide made of Perspex,it has a plywood front with holes cut in for my camera and flash guns, I placed two rusty paint cans in the set up and the rat would leap from one can too the other, I had to use flash to freeze the action”.

Taras Mychalewych, 75, poses for a portrait with his vaccination card after receiving his coronavirus disease (COVID-19) vaccine at a rural vaccination site in Columbus, New Mexico, U.S., April 16, 2021. (Photo by Paul Ratje/Reuters)

Russian pop art photographer Sergey Chilikov captures a nation liberated from the social oppression of late-era Soviet rule – at parties, in the streets, and bouncing high. His exhibition, Photoprovocations, will be at Photo London, 19-22 May. Here: Yoshkar-Ola, Matrosova Street (1995). (Photo by Sergey Chilikov)