"I'm an artist, recent graduate, specializing in photo realistic watercolors, painting what the camera can't capture. My work is perceivably on the darker side, but the actually is, it's about exploration.
My anatomical works combine classic poses, in dramatic chiaroscuro lighting, with a very contemporary twist... illustrating what's underneath the skin, and the portrayed figure dissects a region of their body to show the structures that lay beneath."

Iraqi Kurdish women work at a hand-weaving Kurdish traditional carpet shop, in the district of Raniya, about 70 kilometres (43 miles) east of Arbil, the capital of Iraq's northern autonomous Kurdish region, on February 11, 2025. (Photo by Safin Hamid/AFP Photo)

A giant sculpture of a seven-month-old baby by artist Marc Quinn entitled “Planet” contrasts against the stately grandeur of Chatsworth House and the Derbyshire countryside on 4 September, 2008, Chatsworth, England. The bronze sculpture painted white is part of the Beyond Limits exhibition of modern and contemporary sculpture displayed in the gardens of Chatsworth by Sotherby's. More than 20 works will be on display from 9 September to 2 November 2008. In past years acclaimed artists Damien Hirst, Antony Gormley, Salvador Dali and Henry Moore have had work exhibited. (Photo by Christopher Furlong/Getty Images)

Rotterdam based SMIT and Livorno based NERI salvage workers start their work of diesel recovery on a pontoon from the the cruise ship Costa Concordia that lies stricken off the shore of the island of Giglio on January 24, 2012 in Giglio Porto, Italy. (Photo by Laura Lezza/Getty Images)

Visitors view the work entitled “Golden Jubilee” by Chinese artist Xin Dongwang at the “Extension and Integration: A Circuit Exhibition In Hubei Of Study on the Modern Chinese Oil Painting” at the Hubei Museum of Art on March 8, 2009 in Wuhan of Hubei Province, China. (Photo by China Photos/Getty Images)

Italian pencil artist Marco Mazzoni‘s work goes far beyond technical perfection. His representation of historical healing women is enigmatic and sublime. Often leaving the eyes blank or covered with an abundance of birds, butterflies and flowers, he gives the impression of a deeper inward focused sight, as well as obscuring the identity of the individual. Many female healers in the past – both medicine woman and midwives – were brutally persecuted by religion, some even burnt as witches… Mazzoni’s work captures their deep connection with nature and their innate power and femininity with delicacy and beautiful detail.