“David Stoker creates images that tell a story. Rich and atmospheric, his images stop a moment in time letting the viewer decide, or wonder, just what each character is doing. David's work has been recognized in the 2011 Communication Arts Photo Annual, Communication Arts Fresh online, Graphis 100 Best in Photography 2012, PDN’s Photo Annual (2009, 2011), Luezer's Archive, and the International Photography Awards (IPA's – 2009, 2010)”.

A man takes a picture of part of what is set to be the UK's largest street art project on August 19, 2011 in Bristol, England. The See No Evil art project on Nelson Street in Bristol will see several multi story buildings in the street covered with art over the coming days. Organisers hope that the project, which has involved top graffiti artists from all over the world, will become a major tourist attraction for the west country city, often said to the spiritual home of Banksy. (Photo by Matt Cardy/Getty Images)

Berlin-based artist Sebastian Bieniek unfolds the story of a two-faced female in his series of photographs “doublefaced”. Using an eye pencil and lipstick, bieniek simply draws an image of a face onto the side of skin. The sketch includes only one eye: carefully placed hair hides the rest of the face from view, revealing one, moving eye of the model. Blue, brown, awake, and sleeping variations create portraits with unique expressions and an illustrative sensibility. The 22 photographs of the hybrid girl expose her daily routine – drinking coffee, traveling on the train, taking a shower, and smoking cigarettes – capturing the daily life of a female with two faces.

A man dressed up as the Statue of Liberty walks in front of a new digital advertising screen in Times Square, New York, November 18, 2014. According to local media the screen is a full block long, 8 stories tall, is lit with 24 million LED pixels and has a higher resolution than most TV sets. The advertising rate is reported at $2.5 million USD for a four-week run making it one of the most expensive outdoor advertising spaces in the world. (Photo by Carlo Allegri/Reuters)

A women attends a class at a driving school in Kabul August 17, 2014. Kabul is one of the world's fastest growing cities and its streets are increasingly blocked by cars and buses. In the city's private driving schools, students pay a $60 fee for a 45-day course, which includes oral and practical driving tests at the country's Traffic Department. Some of the women who have signed up say learning to drive is a way to escape unwanted gazes and physical harassment on the cramped, crowded minibuses that are often the only method of urban public transport. (Photo by Mohammad Ismail/Reuters)

A love story with two log choppers. “In 1993, I was working on a project about life in the Olomouc region of Czechoslovakia. One day, I came to the village of Dlouhá Loučka-Křivá and went into a courtyard where I saw two old people, a husband and wife, sawing firewood for winter. They were working quietly, concentrating. I watched them fetch a beam from a wrecked barn, but they didn’t discuss how they planned to carry it to the saw. The woman faced one way, the man the other. When they realised, the woman eventually turned and followed her husband. The picture I took is the picture of many relationships – when each partner wants something different, but they have to come to an agreement, pull together eventually”. (Photo by Jindrich Streit)

“Memoirs of a Geisha” – For its May 2013 cover story, Elle Vietnam gets inspired by the Japanese-influence of spring collections and Geisha beauty. Model Tian Yi evokes the theme perfectly in a series of images which juxtapose an urban backdrop with the ornate prints and sleek silhouettes of Prada, Dries van Noten, Dior, Thakoon and more selected by stylist Anna Katsanis. Photographer Oliver Stalmans captures the Chinese beauty in this elegant shoot. (Photo by Oliver Stalmans)

The long and intriguing story of the origine of the indigenous Maori people can be traced back to the 13th century, the mythical homeland Hawaiki, Eastern Polynesia. Due to centuries of isolation, the Maori established a distinct society with characteristic art, a separate language and unique mythology. Defining aspects of Maori traditional culture include art, dance, legends, tattoos and community. While the arrival of European colonists in the 18th centure had a profound impact on the Maori way of life, many aspects of traditional society have survived into the 21th century.