Baldwin Street, in Dunedin, New Zealand, is considered the world's steepest residential street. It is located in the residential suburb of North East Valley, 3.5 kilometres (2.2 mi) northeast of Dunedin's city centre.

A female goalkeeper saves the ball at the Mathare Environmental Conservation Youth Center during a soccer match to celebrate the International Women's day in Nairobi, Kenya, March 8, 2017. (Photo by Thomas Mukoya/Reuters)

Myanmar national award second-place winner: Kyaw Win Hlaing. “Mount Bromo is an active volcano in East Java, Indonesia. The name Bromo derives from the Javanese pronunciation of Brahma, the Hindu creator god”. (Photo by Kyaw Win Hlaing/Sony World Photography Awards 2018)

The Great Picture” is a black and white panoramic print of Marine Corps Air Station El Toro, an old military outpost. The print measures 111 feet wide by 32 feet high on seamless white muslin cloth. (Photo by Caters News)

A woman poses for her husband alongside a giant camera Thursday, November 7, 2013 outside the Historic Green County Courthouse in Monroe, Wis. Chicago photographer Dennis Manarchy created what's being called the world's largest camera. It's 35-feet long and 12-feet tall it's a working replica of a vintage accordion-style camera that produces 16- by 24-foot prints, the equivalent of a two-story building. The giant camera is on display in Monroe through November 17 because a Monroe company manufactured the specially-built trailer. Manarchy plans to tow the camera around the country to shoot photos of indigenous cultures. (Photo by Mark Hoffman)

Fireworks explode over Elizabeth Tower housing the Big Ben clock in London. (Photo by Kirsty Wigglesworth/Associated Press)

“Woman with Umbrella in Rain” by Raimund von Stillfried. Artist: Kusakabe Kimbei (Japanese, 1841–1934), 1870s. Commercial photography studios in Meiji-era Japan were renowned for the subtlety and refinement of their coloring techniques. This hand-tinted image of a young woman caught in a heavy rainstorm achieved its naturalistic effect by knitting together multiple strands of artifice: the greenery in the foreground was a studio prop; the flaps of the kimono were suspended by thin wires to create the impression of a strong wind; and long, diagonal marks were made on the negative to suggest streaks of rain. (Photo courtesy of The Metropolitan Museum of Art)