Children play at the Ryoji Ikeda exhibition “the transfinite” at the Park Avenue Armory on June 10, 2011 in New York City. The audio visual installation, which will close after tomorrow, features two back-two-back screens displaying a continual loop of sounds, fragments of numbers and strobe-lit patterns that echo the Japanese artist's interest in mathematics, the subconscious and the digital world. (Photo by Spencer Platt/Getty Images)

Fukusawa Takayuki is a Japanese designer, whose life’s goal is to brighten up the people's mood through his creations. His latest project sure does the job. In this project he created a number of figurine-pendants called the “Tanima Diver”. When worn by a woman with full breasts, it looks like the figurine is making a dive into her cleavage. Though only the most outgoing of girls will allow herself to wear such a necklace, it will surely bring a wide smile to the face of any man. (Photo by Takayuki Fukusawa)

Yueyaquan is a crescent-shaped lake in an oasis, 6 km south of the city of Dunhuang in Gansu Province, China. It was named Yueyaquan in the Qing Dynasty. According to measurements made in 1960, the average depth of the lake was 4 to 5 meters, with a maximum depth of 7.5 metres In the following 40 years, the depth of the lake continually declined. In the early 1990s, its area had shrunk to only 5,500 m2 with an average depth of 0.9 meter (maximum 1.3 meter). In 2006, the local government with help of the central government started to fill the lake and restore its depth; its depth and size have been growing yearly since then. The lake and the surrounding deserts are very popular with tourists, who are offered camel and 4x4 rides.

There's something inherently Ghibli-esque about Chong FeiGiap's beautiful paintings, capturing that sense of wonder typically present in the best animes the studio had to offer, as well as a dash of Tekkon Kinkreet's amazingly colorful, complex cities.

Artist Robert Mickelson is an expert sculptor whose medium of choice happens to be glass. There's something so pure and serene about glass. Perhaps it's the material's transparency coupled with its fragility. Whatever it may be, Mickelson knows how to accentuate the element's most appealing qualities. Each of his life-like sculptural pieces exude realism with a refined quality.

Keira Knightley attends the premiere for “A Dangerous Method” at The 55th BFI London Film Festival at The Odeon West End on October 24, 2011 in London, United Kingdom. (Photo by Dave Hogan/Getty Images)